Tuesday, March 31, 2009

2009 Roma Independent Film Festival Award Winners


The fest will run from March 19 to 27 and here are the films in competition that all belong to the New Frontiers section with only first time directors.

*Winners are in Red.

International Feature Film Competition
Be calm & count to 7
by Ramtin Lavafipour - Iran, 2008
Blood Brothers by Arno Dierickx - Netherlands, 2008
Closed spaces by Igor Vorskla - Russia, 2008
Crossing Dates by Anca Damian -
Deadgirl by Gadi Harel & Marcel Sarmiento - United States, 2008,
Desierto sur by Shawn Garry - Chile, 2008,
Doggign: a love story by Simon Ellis - United Kingdom, 2008,
Frantisek Je Devkar (Frankie Is A Womanizer) by Jan Prusinovsky - Czech Republic, 2008,
*Hunger by Steve McQueen - United Kingdom Northern Ireland, 2008 - Best Film Winner
*Sing For Darfur by Johan Kramer - Netherlands, 2008 -New Vision Award Winner
Small Celebration by Zdenek Tyk – Czech Republic, 2008,

National Feature film competition
*Narciso by Marcello Baldi, Dario Baldi - Italy, 2008 - Best Film Winner
Miss Julie by Michael Margotta - Italy, 2009,
Tutti intorno a linda by Barbara Sgambellone, Monica Sgambellone - Italy, 2008,
*Sleeping Around by Marco Carniti - Italy, 2008 - Special Mention

To check films, shorts and docs as well as all the award winners go here, open the RIFF Awards and select program.

2009 Prix Jutra Award Winners


The awards are given to films from Quebec cinema and yesterday they announced the nominees.

Winners are in Red.

Best Film
Borderline
Ce qui’l faut pour vivre
C’est pas moi, je le jure!
Maman est chez le coiffeur

Best Director
Lyne Charlebois for Borderline
Yves-Chirstian Fournier for Tout est Parfait
Robert Morin for Papa à la chasse aux lagopèdes
Benoit Pilon for Ce qui’l faut pour vivre

Best Actress
Isabelle Blais in Borderline
Suzanne Clément in C’est pas moi, je le jure!
Susan Sarandon in Emotional Arithmetic
Guylaine Tremblay in Le Grand départ

Best Actor
Michel Côté in Cruising Bar 2
Alexis Martin in Le Banquet
Vincent-Guillaume Otis in Babine
Natar Ungalaaq in Ce qui’l faut pour vivre

To check the nominees in all the categories as well as all the winners go here. The award ceremony will be on March 29 and will be broadcasted on Radio-Canada. Also if you live in Quebec check the free screenings of the nominated films that will take place from March 23 to 26 in many cities; to check the theaters go here.

Saturday, March 28, 2009

2009 Miami & Fort Lauderdale Gay & Lesbian Film Festival


From April 24 to May 3 the fest will take place in those famous Florida towns and here is the list of the movies with some lesbian interest that the fest will screen.

Annul Victory
The Baby Formula
Bandaged
Chica Busca Chica
City of Borders
Drool
El Nino Pez
For My Wife
What Girls Like (shorts collection)
Her Name was Steven
I Can’t Think Straight
The Killing of Sister George
Luchando
Training Rules
Ruby Blue

I suggest you browse the virtual catalogue with descriptions of all films plus all events and parties, go here.

24th Guadalajara International Film Festival Award Winners


Yesterday the fest had the awards ceremony and here are the winners gathered from different news sources.

Ibero-American Fiction Competition

Best Film: La Teta Asustada, Claudia Llosa, Peru and Spain
Special Jury Prize: Aquele Querido Mês de Agosto, Miguel Gomes, Portugal and France

Best First Film: Voy a explotar (I'm Gonna Explode), Gerardo Naranjo, Mexico
Best Director: Chus Gutiérrez for Retorno a Hansala, Spain
Best Actress: Magaly Solier in La Teta Asustada (yes is the same actress of Madeinusa)
Best Actor: Andrés Parra in La Pasion de Gabriel, Luis Alberto Restrepo, Colombia

Mexican Fiction Competition

Best Film: Viaje redondo (Round Trip), Gerardo Tort
Best First Film: Crónicas chilangas (Chilangas Stories), Carlos Enderle
Best Director: Alberto Cortes for Corazón del tiempo (Heart of Time),
Best Actress: Teresa Ruiz in Viaje redondo (Round Trip), Gerardo Tort
Best Actor: Patricio Castillo in Crónicas chilangas (Chilangas Stories), Carlos Enderle

Jalisco Academy Award for Best Film: Amar a Morir, Fernando Lebrija
Audience Award: La Oveja negra (Black Sheep), Humberto Hinojosa

As soon as the fest posts the complete list of awards winners I will post the link here.

Tuesday, March 24, 2009

31st International Women’s Film Festival – Creteil Award Winners


Yesterday the fest started in Creteil, France and here are the feature films they will screen in competition. Needless is to say that this is one of my very favorite festivals.

Apron Strings, Sima Urale, New Zealand, 2008
Anita, chef on a cooking channel, had cut ties with her family 20 years before her son went searching for a long lost aunt. Love and the joy of cooking become muddled in this tale about two mothers who have to confront the incomprehensions of the past in order to free their sons from them. Sometimes you need to detach from certain things in order to grow and find yourself.

Chega de Saudade (The Ballroom), Lais Bodanzky, Brazil, 2008 - Winner of the Special Jury Award
Set over the course of one evening in a traditional Brazilian dance hall, Chega de Saudade invites its audience to participate in the electric atmosphere of the ballroom. The characters who attend the ball each week, remember the past, imagine the future, have fun, flirt, fight and, of course, dance, their inner most passions and desires unfold in eyes.

Hiver (Les grands Chats), Marianne Pistone and Gilles Deroo, France, 2008
The trees shed their leaves under cats’ heads. Mimi watches from the window ; what a waste. He doesn’t give a rats ass about the coming of winter, he’s got butterflies in his stomach. He’s simply waiting for his love. Soon enough they will be having fun and snuggling under the bus stop. Winter comes down on us like a prison sentence. I would have liked Mimi to have stayed intact, nothing should have gotten to him, not even winter.

Jas sum od Titov Veles (I am from Titov Veles), Teona S. Mitevska, Macedonia, France, Belgium and Slovenia, 2007
The film tells the story of three sisters. Afrodita, the youngest of three, has not spoken since their father’s death and their mother’s sudden departure. Sapho, is preparing to make a fresh start in life and drug-addicted Slavica, the oldest, works in a factory. The film centres on the three sisters battle to overcome their lot in life, in a “city of lost souls” scarred by industrialisation and environmental damage.

Niu Lang Zhi Nu (Knitting), Yin Lichuan, China, 2008 - Winner of the Jury Grand Prix for Best Film
Knitting’s luminous strokes depict three stories of migrant youth, friendship, love, hate and survival set against the erosion of life in the outskirts of a Chinese megalopolis. Li Daping is an introverted northern girl. With no particular skills and an obstinate love for Chen Jin. Life does not seem to have much in store for Daping. Quiet, contented simplicity fills the small place she shares with Chen. One day, however, trouble walks into Daping’s life. With red lips and cheap shades, Zhang Haili materializes out of Chen’s dubious past.

Mamam est chez le coiffeur, Lea Pool, Canada, 2008
Check the review here.

El Patio de mi Carcel (My Prison Yard), Belen Macias, Spain, 2007 - Winner of the Audience Award and Special Jury Award for Best Female Ensemble
Have seen it but haven’t written the review yet, so here is the synopsis.
Is a story about women, about female inmates, excluded from life. It is the story of Isa, a caustic yet generous thief unable to adapt to life outside prison, and her friends. Dolores, a blonde gypsy who killed her husband, Rosa a tender prostitute, Ajo in love with Pilar, Luisa, a naïve Colombian surprised by an environment she doesn’t understand… The arrival of Mar, a prison worker, embarks the women on a journey towards freedom.

Un Jour en Province, Ekaterina Chagalova, Russia, 2008
The tragic past (the war in Chechnya for young men, with its share of irreparable injury), the hopeless present and clogged up future, are in other words « just a day in the life of Ivan and his friends » in this small town in deepest Russia. But it is also « aspecial day », since the incursion of the other Russia, that of the shining light of the city and success, will precipitate events in this microcosm in which Good and Evil do not make human beings tear each other apart, but carve up the heart of every soul. A modern Russian tragedy. (Fipresci award Moscow International Film Festival 2008)

Winterstilte (Winter Silence), Sonja Wyss, Netherlands, 2008
In a snowed-in log cabin, a widow lives with her four grown-up daughters, all with heir own desires for love and intimacy. The strong Catholic faith and their mourning that has tormented them for years, has condemned them to a life of chastity. Mysterious deer-men change their existence.

El Niño Pez (The Fish Child), Lucia Puenzo, Argentina, Spain and France, 2009 (A Must Be Seen)
Lala lives in one of Buenos Aires’ most exclusive residential areas. She is passionately in love with Guayi, a twenty-year-old Paraguayan girl who has been employed by Lala’s parents to work at their home. The two young women dream of living in Paraguay, somewhere on the banks of Lak Ypoá….

The fest will screen 150 films, docs and shorts from women directors, so if you feel like browsing the site go here but it’s available only in French. To check all the award winners go here.

3rd Asian Film Award Winners


Yesterday they had their award ceremony and here are the winners

Best Film: Tokyo Sonata, Netherlands, Japan and Hong Kong
Best Director: Kore-eda Hirokazu for Still Walking, Japan
Best Actress: Zhou Xun in The Equation of Love and Death, China
Best Actor: Motoki Masahiro in Departures, Japan
Best Newcomer: Yu Shao-qun in Forever Enthralled, China

To check all the award winners go here.

2009 Aubagne International Film Festival Award Winners


From March 16 to 21 the fest will take place in France and its description seems interesting as “dedicates itself to the young cinematographic creation and the music/sound creation related to images”. First and second films of any cinematographic genre having imperatively original music are accepted. Here are the films in competition

Du Bruit dans la Tête (Noise in My Head), Vincent Pluss, Switzerland, 2008
Laura is in her mid thirties and has just returned to Geneva after studying in Québec. Not only is her private life complicated, after separating from her boyfriend. She's also struggling to find her way in her new job. One day she meets 18-year-old Simon. He's trying to get by selling old newspapers. She invites him for a drink, offers him a shower in her apartment and finally lets him stay in her spare room. But who is this boy and why is a man after him?

Ne me libérez pas je m'en charge (Don’t Release Me, I’ll Do it Myself), Fabienne Godet, France, 2008 – documentary
Former gangster and escape artist, Michel Vaujour has always prefered adventure to submission, freedom to law. He has spent 27 years of his life in prison, 17 of which in isolation cell. He has escaped five times (the most spectacular of which was from the Prison de la Santé in Paris, with a helicopter), before he was released on parole in 2003. The story of a life, where reflexion takes the lead over the facts.

Le sens de la vie pour 9.99$ (The Meaning of Life for $9.99), Tatia Rosenthal, Australia and Israel, 2008 – animation (yes this is the one I’m "dying" to see)
Have you ever wondered “What’s the meaning of life? Why do we exist?” The answer to this vexing question is now within your reach! You’ll find it in a small yet amazing booklet, which will explain, in easy-to-follow, simple terms your reason for being! The booklet, printed on the finest paper contains illuminating, exquisite color pictures, and could be yours for a mere $9.99.

Novemberkind (Novemberchild), Christian Schwochow, Germany, 2008
Malchow, GDR, 1980. 20-years-old Anne is hiding Juri, a deserter of the Red Army. The two falls in love with each other, but their love is threatened. They decided to leave the country and flee to the West, leaving Anne’s six-months-old daughter Inga behind. Inga grows up with her grandparents, thinking that her mother died during a swimming accident. At first Inga is resistant, but then she asks for Robert’s help. Together they take off on a journey through Germany, in search of Inga’s mother.

Unspoken, Fien Troch, Belgium and Netherlands, 2008
Five years ago, 14-year-old Lisa vanished from her parents Lucas and Grace's lives, for no apparent reason and leaving no clues. There is almost no hope for her possible return. After all this time, Lucas and Grace have managed to recover a near-normal life. But when Benjamen, Lisa's former friend, pays them a visit, they must willy-nilly face the disappearance of their daughter again. Then, their behaviour becomes stranger and stranger... (with Emmanuelle Devos)

Before the Burial, Behram Behzadi, Iran, 2008
About twenty years ago, Siamak, a medical student, is expelled from university and sent to prison for his political activities. His life is thrown into confusion in every possible way. Having become a bus driver after his release, he deeply regrets what has happened to him and decides to undertake some unfinished business before taking leave of this world on his fortieth birthday.

Ring, Anais Barbeau-Lavalette, Canada, 2007 - Winner of Best Film and Best Music Grand Prix
Jessy, 11, dreams of becoming a wrestler. His life is a daily fight while his family breaks up and he loses what innocence was left in him. Reality hits hard in this underprivileged Montreal neighbourhood, but the magic of the friday night wrestling shows gives him the courage to fight to escape his fate. The Ring tells the story of a little fighter who decides to make his own path.

Tout est Parfait, Yves-Christian Fournier, Canada, 2008
Josh is an ordinart teenager living in an industrial suburb, between high school and skate park. One morning, he finds the lifeless body of his friend Thomas. As three other friends, he has killed himself. Since then, Josh cuts himself off from the world. Only Mia, the former girlfriend of one of the dead boys, as well as Henri, Thomas's father, seem able to pierce his bubble. Some answers will come. Others won't. Josh's story is neither a moral fable, nor a desperate social critique, it is the story of a survivor. The portrait of a gang of young people, excessive, fragile and invincible, lucid and foolhardy, tragic and idealistic. A humble look at their staggering dark side, but also their blinding light.

If you are interested in music/sound in movies this is the fest to go and has the movies to watch. I find this concept very interesting and I’m looking forward to be able to watch some of the above movies and pay attention especially to music/sound.

To check the short films in competition and browse the site please go here. To check all the winners go here.

Monday, March 23, 2009

The Fever


Sometimes surprises come from the most unexpected sources. My friend recorded this movie last night and this afternoon we saw it. Big, very BIG surprise as the movie has a truly compelling story and is awfully disturbing for some… well, it was for me that I felt the movie lasted a few minutes and not the 83 minutes it lasts and yes I still have a huge disturbing headache, my heart is pounding from being shrunk to its minimum expression and I simply love all these symptoms as this movie touched me like not many movies touch me on an intellectual, emotional and personal level.

This 2004 HBO films production is based on a play by Wallace Shawn and is directed by an unknown-to-me director by the name of Carlo Gabriel Nero; but the star of this movie is none other than Vanessa Redgrave that plays the “woman” that slowly goes into an introspection of her life and while she does it viewers get a “vision” of reasons why for wealth and poverty. Most of the movie is an intense monologue that Redgrave character does while you’re watching beautiful images of London and very raw images of a nameless country that definitively looks Eastern Europe but ideologically has to be a composite of many Latin American, Asian, African and East Europe countries, or if you wish, the so-called third-world countries.

Most surprising was to see Angelina Jolie playing the “revolutionary” in a small performance that surpasses many of her so much publicized roles; also here Joely Richardson playing the younger “woman” and Michael Moore as the “reporter”.

This movie definitively is not for the weak of heart, as the narrative is very intense and becomes more intense with the outstanding performance by Vanessa Redgrave. But the movie starts slowly, pickups the pace to become like a knife that cuts you and the knife will remain in you way after the movie is over. That’s it if you’re a sensible person, no matter your knowledge or beliefs about world politics and social-economical differences.

As a movie is very interesting –especially if you watch it in High Definition- as mixes beautiful and color full cinematography for London exteriors and interiors and a clear grayish sober palette for the nameless country scenes; then is also sprinkled with interesting minimal and linear animation scenes. But honestly, is not a movie to watch for the tech specs, this is a movie that everyone that admires the incredibly good career of Vanessa Redgrave has to watch, no matter if you find the story hard to watch or not.

Absolutely a Must Be Seen made for TV movie that was nominated for the Grand Prix at the 2005 Bratislava fest and Vanessa Redgrave was nominated in the 2008 Screen Actors Guild Awards for Outstanding Performance by a Female Actor in a Television Movie or Miniseries (the movie was first screened in the US during 2007).

Okay, it is not for all audiences as the movie is mainly a monologue but please remember that’s a monologue by Vanessa Redgrave. You can hardly say 'I loved this movie' as this is not a movie to love, but I did and highly recommend it to many that read this blog, want to see Angelina Jolie performing above her regular roles and most of all, do not want to miss the excellent and remarkable performance by Vanessa Redgrave.

Big Enjoy!!!

Entre les Murs (The Class)


If I tell you all that I haven’t read about the 2008 Cannes Palme D’Or I would be lying, as definitively it was impossible not to know what the movie was about and the story behind the movie. So, I was a little apprehensive about this movie as I do not particularly like teacher/student stories and less in documentary alike films.

But I needed not to worry as this very unusual film totally grabs your attention and at moments generates real tension even when most of the dialogues are not scripted, teachers are played by real teachers, students are real students, and you never leave the school grounds. As a matter of fact most of the movie you do not leave the classroom.

As probably many of you know this Laurent Cantet film is a loose adaptation of an award winning book by François Bégaudeau who also co wrote the screenplay and stars as the lead character, François Marin; a character that is totally inspired in him and his real life experiences told in his book of the same name as the movie.

The movie starts with the new school term and finishes when the term ends, but it is really hard to explain how interesting and outstanding is to follow a French language teacher teaching the most heterogeneous group of 14/15 years-olds with many (at least the main characters) being children from immigrants (legal or not) from Africa, the Caribbean, Chinese and Arab countries.

There are many moments that you feel like you’re another student as great hand held camera work really takes you inside the classroom and there are moments that I felt like participating and surprised myself talking to the screen (lol). There are emotions in this film, but mostly this is a film for your brain and I’m trying to remember unsuccessfully the last film I saw that really was addressed to my brain and not my emotions. I had so much to say when the film was over that I wish I could write everything here… but I know that will be a boring discourse for many.

From my readings after watching the movie I find that many see this movie with a French story. Not me. This is an universal story that probably is happening right now in many schools all over the world; well, at least in those that “allow” heterogeneous classes. But if you’re like me -your classroom years are long gone- and most current references come from very aggressive and violent mainly American cinema, then you probably will have a treat just as I did.

The movie really feels like a documentary –even when is not- but a unique documentary as shows ordinary everyday life inside a classroom, inside teachers and school principal meetings, and some French language classes that I highly enjoyed for the simplicity of common sense and the flowery side that many Romance languages have. The last allows me to comment that I wonder how viewers that do not understand French could get the subtleties and intensity of many dialogues, especially those between the teacher and his students, as I truly believe that this film will loose in translation. Nevertheless it has been so acclaimed that who knows and perhaps I’m wrong.

To me the story looks and feels like a four-walls closed microcosm that reflects life in many ways and totally reflects the era we are currently living where heterogeneousness not only comes from race, backgrounds, sexual preference and/or religion, but also because the amazingly large amount of information that we –and especially (but not only) the younger ones- consume that makes many of us more “knowledge” savvy and less prone to be only “followers”.

I will stop here trying to tell you what the story is all about. You have to watch the movie to find out, as otherwise I will get into writing an very philosophical essay.

As a movie I believe that its value resides in the use of non-actors delivering not all scripted dialogues that totally gives the film a cinema verité look. So people in the screen are not “performing” they are doing what they usually do when they are inside the school walls.

This multiple award and honored movie definitively is a Must Be Seen for many that read this blog; but I know that is not for all audiences and some of you will find it tedious, will miss “action” (so many comments about expecting violence) and will wonder how come this movie won the 2008 Palme D’Or. I really hope many of you do not belong to the second group and are able to enjoy this highly unusual film as much as I did.

Big Enjoy!!!

Sunday, March 22, 2009

23rd Fribourg International Film Festival Award Winners


Yesterday the FIFF announced the winners and here they are.

Grand Prix Le Regard D’Or: My Magic, Eric Khoo, Singapore, 2008

Special Jury Award: Intimidades de Shakespeare y Victor Hugo, Yulene Olaizola, Mexico, 2007

Prix Talent Tape: Sebastian Silva for La Nana, Chile, 2008

Audience Award: Ramchand Pakistani, Mehreen Jabbar, Pakistan and USA, 2008

Ecumenical Prize: Be Calm and Count to Seven, Ramtin Lavafipour, Iran, 2008
FIPRESCI Award: Intimidades de Shakespeare y Victor Hugo, Yulene Olaizola, Mexico, 2007

E-Changer Award (Youth jury): Breathless, Yang Ik-june, South Korea, 2008
Special Mention: Ramchand Pakistani, Mehreen Jabbar, Pakistan and USA, 2008

FICC Don Quijote Award: Intimidades de Shakespeare y Victor Hugo, Yulene Olaizola, Mexico, 2007

To read the official press release please go here.

27th San Francisco International Asian American Film Festival Award Winners


From March 12 to 22 the fest will take place in San Francisco and San Jose. The fest has many interesting Asian and Asian American films, many known to the blog but there are some films that really called my attention and I include them here. I suggest browsing the site as there are many gay interest Asian films and some Women Stories that seem very interesting.

The Panda Candy, Peng Lei, China 2007 – Lesbian interest.
Fruit Fly, H. P. Mendoza, USA - the hijacking of The Umbrellas of Cherbourg???. Lesbian and gay interest.

Here are the films in the Narrative Competition.

*Children of Invention, Tze Chun, USA, 2008 - Special Jury Award
*Half-Life, Jennifer Phang, USA, 2008
- Winner of the Best Narrative Award
Karma Calling
, Sarba Das, USA, 2008
Ocean of Pearls, Sarab Neelam, USA, 2008
The Speed of Life, Ed Radtke, USA, 2007
White Rice, David Boyle, USA, 2009

To check the films, shorts and documentaries in the fest site go here and to check all the award winners please go here.

Saturday, March 21, 2009

Vera


This is one amazing film that it’s hard to believe that the film is 31 years-old as the story is compelling, the performance by the lead actress is just outstanding and as a movie uses very dramatic resources to produce a remarkable, impactful, and unforgettable film. I always love movies that make me feel all sort of emotions and in this sense, this film is one that made me feel a lot of intense and opposite emotions thanks to the story but especially to the mixture of visuals, ecclectic music and the narrative that moves in time at its own will.

Written and directed by Sergio Toledo tells a story inspired on the life of Sandra Mara Herzer the author of “A queda para o alto” that is a collection of her poetry and autobiographical essays and surely because it’s based on a true life story is what makes the movie impactful and disturbing. After watching the movie I read about the life of Sandra Mara Herzer and my impression is that the film took very little artistic liberties to tell her real raw life.

The films tells about Vera when she is an intern at FEBEM (Fundação Estadual do Bem Estar do Menor), which is a correctional for 12 to 21 years old girls and boys (had to read about it to learn this information, as in the movie you are not really sure if is an orphanage or a correctional). The story moves in time to when she’s released under the sponsorship of a professor that helps her to find a place to live and work as he’s aware of her talent as a poetry writer and stimulates her to write her life story. As in present time Vera slowly becomes clearly Bauer and falls in love with Clara, the narrative also takes us back to when she was an intern so we can understand her motives to feel like a man trapped in a woman body.

If you want to read more about the plot and Sergio Toledo’s vision of the story and movie I suggest you check the book Visible Nations: Latin American Cinema and Video by Chon A. Noriega, pages 131 to 141 or go here; also you can check the book Female Masculinity by Judith Halberstam pages 215 to 217 or go here.

To think that in 1986 there was a movie so much ahead of his time is an understatement, as the movie deals with challenges at work and home to conform to conventional gender norms and struggling with issues of masculinity and gender expression that still today not many films have dared to touch and much less as a beautiful surreal story of isolation, love and identity. Truly outstanding and amazing!

The movie is totally stolen by Ana Beatriz Nogueira that plays Vera/Bauer and makes the character multi-dimensional thanks to outstanding expressions that without words absolutely tell all. Just for her mesmerizing performance the movie is more than worth it. But as a movie is also fabulous, with a slow pace that allows to see and feel everything, an impressive use of chiaro –oscuro, excellent framing in many scenes and other outstanding tech specs that it is hardly believable that this was Sergio Toledo first feature film.

The movie was screened in competition for a Golden Bear at the 1987 Berlinale where Ana Beatriz Nogueira won the Silver Bear for Best Actress; she also won the Best Actress award at the 1987 Nantes fest. In Brazil Nogueira won the Candango award for Best Actress (tie) and the two other awards for sound and soundtrack at the 1986 Festival de Brasilia.

This is truly a fascinating jewel from Brazilian cinema that I’m so grateful to a dear friend that let me know it existed about two years ago and thanks to another dear friend I was able to finally watch this hidden and unknown-to-many cinema masterpiece.

Last but not least I also learned that the film is in the archives of the Outfest Legacy Project for LGBT Film Preservation and I suggest browsing the project site here to learn about the many LGBT titles that are available in their archives.

I highly recommend this movie to those that enjoy the lesbian interest genre, but also to those that enjoy art and serious cinema.

Big Enjoy!!!

49th Cartagena de Indias International Film Festival Award Winners


A while ago the fest had their awards ceremony and here are the winners.

Official Selection

Best Film: Lake Tahoe, Fernando Eimbcke, Mexico
Special Jury Award: El Cuerno de la Abundancia, Juan Carlos Tabio, Cuba
Best Director: Jose Luis Cuerda for Los Girasoles Ciegos, Spain
Opera Prima Award: Entre Os Dedos, Tiago Guedes and Federico Serra, Portugal
Best Actress: Catalina Saavedra in La Nana, Chile
Best Actor: Filipe Duarte in Entre Os Dedos, Portugal
Best Supporting Actress: the female ensemble cast of Chega de Saudade, Brazil
Best Supporting Actor: Roger Princep in Los Girasoles Ciegos and Forasteros, Spain

Film Critics’ Award: La Nana, Sebastian Silva, Chile
Audience Award: El Cuerno de la Abundancia, Juan Carlos Tabio, Cuba

Colombian Films Awards

Best Film: Perro Come Perro (Dog Eat Dog)
Best Director: Oscar Campo for Yo Soy Otro (I Am Somebody Else)

To check the winners in all the categories go here.

Meduzot (Jellyfish)


Took me almost two years but finally I was able to watch the Camera D’Or 2007 Cannes winner and it’s a truly mesmerizing movie with words like magic, fantastic, unique, poetic, high art, and extraordinary describing this outstanding movie by Shira Geffen and Etgar Keret.

Basically tells the story of three women and the stories are intertwined with inconsequential meetings of the characters; but all starts at a wedding that the three women attend. Batia (Sarah Adler) is a lousy waitress, Keren (Noa Knoller) is marrying Michael and Joy (Ma-nenita De Latorre) is there taking care of an elder women. From the wedding we will see how Batia finds the little girl (magical Nikol Leidman) and her past becomes aware only to allow her to start trusting people again. Keren will find that probably everything she was expecting from married life was not as she imagined and in a magical/surreal twist she will learn to trust her husband and herself. Joy a Philippine elderly caretaker misses her son back in the Philippines, but when she has to take care of the touching others incapable German old lady, joy will really arrive to Joy’s life.

This is a truly magical, yet very ordinary, women stories as not only the lead characters are women but also the secondary characters. But what also this story has outstandingly different from regular Israel cinema is that does not touch any of the country past and present conflicts, just deals with the ordinary lives of women in a not often seen Tel Aviv. Truly refreshing.

Cinematography is above outstanding and directors storytelling technique is really unique as plays with each woman story like a “jumping” bean, showing small clips from each woman -like narrative confetti-, but what is amazing is that easily you will decipher each confetti piece and complete one puzzle; in the end you will feel so uplifted with this very enjoyable narrative and visual poetic voyage. Performances are truly compelling from all lead and secondary actors, really great ensemble cast.

As mentioned the movie was premiered at the 2007 Cannes in the International Critics’ Week and won the Camera D’Or given to first time directors, but also won the SACD Screenwriting Award an the Very Young Critic Award. Since then the film has been honored in many festivals and awards, winning the Prize of the Ecumenical Jury at the 2007 Bratislava fest, Best Film at the 2008 Uruguay fest, Opera Prima Award at 2008 b-est fest and was in competition in other world festivals. Also had 10 nominations at the 2007 Israel Film Academy Awards.

I believe that this is one art movie that can be accessible to wider audiences that enjoy women stories told in the most unusual way. But you have to at least like non-commercial European cinema.

I couldn’t take my eyes from the screen as the story captivated me, but the amazing images mostly dealing with water are fabulous. Then I am one that truly believes that the little girl was a jellyfish… but according to the directors, the jellyfish is an image to floating in life with no specific direction, until you end up in the beach. I add that jellyfish can painfully “burn” humans and well, this is one aspect that was not really touched in this movie.

Anyway, this is a truly beautiful movie to watch!

Enjoy!!!

Thursday, March 19, 2009

Bride Wars


Well you know my eclectic taste in movies and once in a while I will watch one romantic comedy just to kill time, perhaps laugh a little and hopefully entertain me a little more. This is really a “mechanical’ comedy that probably many will watch because the leads are Anne Hathaway and Kate Hudson, and probably will smile/laugh a little but I believe that mostly will disappoint many as a lame comedy where there is no romance at all… that’s if you are waiting for romance between a man and a woman.

Perhaps is my crazy/crazy imagination but I found this movie to be very-very gay and I’m not the only one as I saw it with a girl friend and we both think that definitively this is one of the gayest straight movies we have seen lately with two females in the lead. And as such is not that bad as really recalls a “relationship” between two girls even when the story does the impossible to show only the tight friendship bond between the two women.

If you do not have high expectations and have wild imagination, perhaps some of my loyal readers that enjoy the lesbian interest genre will also see in this story what my friend and I saw, and if you do probably will enjoy the movie as much as we did… especially if you change the ending just as we also did.

Surely because now I see Anne Hathaway with different eyes after her great role in Rachel Getting Married, but I found her performance quite good and definitively a lot better than Kate Hudson that delivers a one-dimensional performance very similar to many other roles she has done.

Enjoy!

Versailles


I have been looking forward to watch this movie staring the late Guillaume Depardieu and the best part is that the plot was a total unexpected surprise, so I have to admit that I enjoyed this Pierre Schöller movie quite a lot, as was a very interesting cinematic experience with an interesting and unusual plot.

The movie tells about Nina (Judith Chemla) a homeless, unemployed and unsatisfied with the social system that does not give her long-lasting solutions. One night she and her 5 years-old song are sent to a Versailles refuge and next day she’s put again in the street. Going back to Paris via the woods, she finds Damien (Depardieu) that lives in a shack in the middle of nowhere. They spend the night together and next morning Nina leaves before Damien wakes up… but she leaves her son, Enzo (Max Baissette de Malglaive), with Damien. What follows is the most interesting and with minimal narrative of destitute life in those woods that are so near to the beautiful and decadent luxurious Versailles palace. But most of all is a story about Damien going back to life thanks to Enzo companionship.

The story is full of contrasts that I believe are not shown only to illustrate the two farthest away extremes of France, but also to show the disenchantment that some French have with their so celebrated social system. Unlike many French movies, this story has a clear beginning and a clear end that amazingly is a happy ending as the story moves to a fable-alike end.

The story could appeal to many that want their movies to have clear stories, but then the most outstanding part of the movie is when Damien and Enzo live in the woods as the use of light travels from almost full overexposure to “sun” light to almost dark/dark nights – almost absence of light-, all done with minimal dialogue and great expressions from Depardieu and most of all from de Malglaive that for a first-time child actor has an unbelievable good and unforgettable performance.

So, it is not an easy to watch movie as more than half the movie is very art cinema which obviously makes it not for all audiences, but makes it a very interesting cinematic experience for those that enjoy art and serious cinema.

The film was in competition for the Palm D’Or at the 2008 Cannes fest and since then has been honored in many fests and awards, including nominations for Best First Work for Pierre Schöller and Best Actor for Guillaume Depardieu, who also got a Special Mention for Best Actor at the 2009 Prix Lumières. Also Schöller won the 2009 Étoiles d'Or for Best First Work, the FIPERSCI Award at the 2008 Kyiv fest and please browse the blog to find other honors.

Guillaume Depardieu died when filming the next movie after this one, so if you’re a Depardieu fan, definitively this is a must be seen film for you. The film is best suited to those that enjoy great French cinema and/or art house films.

I liked the movie a lot more than what I expected which made the long wait more that worthy.

Enjoy!!!

2009 Cannes News


 Today something very unusual happened, there was a Cannes press release circulating the mass media! I know that it was because the Opening Film at the 62nd Cannes fest is an American movie, which is not really common.

But the press release has some news that are noteworthy. For the first time ever the film that will be opening the fest belongs to the animation genre and is no regular animation but Digital 3-D which not only is a first for the fest, but also is a Disney film!!! Okay do not worry, is a Disney Pixar studios film which absolutely makes a difference (lol).

Here is the full official press release that can be found here.

UP, the new animation from the Disney Pixar studios, produced under John Lasseter’s supervision, will be the Opening Ceremony film of the 62nd Festival de Cannes, a World Premiere in Disney Digital 3-D on Wednesday May 13th, 2009.

UP, a comedy adventure in which 78-year-old Carl Fredricksen fulfils his dream of a great adventure when he ties thousands of balloons to his house and flies away to the wilds of South America, only to discover that he has brought with him his biggest nightmare, a 9-year-old Wilderness Explorer stowaway.

UP is directed by Pete Docter, director of MONSTERS, INC. who also developed the story and characters for TOY STORY, Pixar’s first full length animated feature film, for which he also served as supervising animator. He served as a storyboard artist on A BUG’S LIFE, and wrote the initial story treatment for TOY STORY 2. The film is co-directed by Bob Peterson, also a screenwriter and author of FINDING NEMO.

John Lasseter is Chief Creative Officer of Walt Disney and Pixar Animation Studios and Oscar-winning director or producer of TOY STORY, TOY STORY 2, A BUG'S LIFE, MONSTERS, INC., THE INCREDIBLES, FINDING NEMO, CARS, RATATOUILLE and WALL-E.

This is the first time that an animation film, in 3-D, will be the Opening Ceremony film at the Festival de Cannes.

Animations distinguished by their participation in the Official Selection are, DUMBO (1947), THE FANTASTIC PLANET (1973), FRITZ THE CAT (1974), SHREK (2001), THE TRIPLETS OF BELLEVILLE (2003), SHREK 2 (2004), OVER THE HEDGE (2006), KUNG-FU PANDA (2008) and WALTZ WITH BASHIR (2008)

UP will be released in the United States on Friday, May 29th and in France on July 29th. The Festival de Cannes runs from Wednesday May 13th to Sunday 24th of May, 2009.

The President of the Jury is French actress Isabelle Huppert.

I think that after May 13 with the opening of the 62nd Cannes fest many cinephiles will have to admit that the animation genre is no longer for children, simple entertainment, to kill time, for laughs or whatever else many of us used to believe. I have to admit that I started to change my perception about animation with Persepolis and Waltz With Bashir, and definitively when I see UP I’ll be looking forward to understand animation with different eyes and hopefully confirm that the genre has found a new place in my brain! Yeah, Cannes can do that to me!

24th Guadalajara International Film Festival


The fest site is not really friendly or easy to navigate, but from other sources I was able to identify the films in competition.

Mexican Fiction Competition

"El árbol" (The Tree), Carlos Serrano Azcona
"Bala mordida" (Bite the Bullet), Diego Munoz
"La caja negra" (The Black Box), Ariel Gordon
"Corazón del tiempo" (Heart of Time), Alberto Cortes
"Crónicas chilangas" (Chilangas Stories), Carlos Enderle
"Marea de arena" (Tidal Sand), Gustavo Montiel Pages
"Naco es chido," Sergio Arau
"Otro tipo de música" (Another Type of Music), Jose Gutierrez Razura
"Oveja negra" (Black Sheep), Humberto Hinojosa
"Rabioso sol, rabioso cielo" (Enraged Sun, Enraged Sky), Julian Hernandez
"Tres piezas de amor en un fin de semana," Salvador Aguirre
"La ultima y nos vamos" (The Last and Us), Eva Lopez-Sanchez
"Viaje redondo" (Round Trip), Gerardo Tort
"Voy a explotar" (I'm Gonna Explode), Gerardo Naranjo

Ibero-American Fiction Competition

Camino, Javier Fesser, Spain
Turistas, Alicia Scherson, Chile
Niño Pez, Lucía Puezo
Gasolina, Julio Hernandez Cordon, Guatemala
La Teta Asustada, Claudia Llosa, Peru and Spain
El Enemigo, Luis Alberto Lamata, Venezula
La Pasion de Gabriel
Aquele Querido Mês de Agosto, Miguel Gomes, Portugal and France
Tony Manero, Pablo Larrain, Chile and Brazil
El Cuerno de la Abundancia, Juan Carlos Tabío, Spain and Cuba
Retorno a Hansala, Chus Gutiérrez, Spain
La Nana, Sebastián Silva, Chile

To check the movie list with no information about each movie go here.

2009 South By Southwest Festival Award Winners


Recently the fest had their awards ceremony and here are the feature films winners.

Narrative Feature

Grand Jury Award: Made in China, Judi Krant
Special Jury Award for Best Ensemble Cast: That Evening Sun, Scott Teems

Emerging Visions Audience Award: Motherland, Jennifer Steiman
SXSW/Chicken & Egg Emergent Woman Award: Judi Krant for Made in China

To check the winners in documentaries, shorts and other categories go here.

I noticed that many award winners are women filmmakers, which is nice for a change.

Natasha Richardson


Yes I was and still am shocked with the news about this fine actress that now we know passed away at such a young age. You probably read the news allover the media, but I wanted to include here my respects to her family. Mother Vanessa Redgrave, husband Liam Neeson, aunt Lynn Redgrave and sister Joely Richardson, a renown cinema dynasty that have given us many excellent and moving experiences in the big and small screen. RIP.

Tuesday, March 17, 2009

IMDb News


Absolutely good news from one of my favorite websites. Yep, I’m one of the 57 million unique users per month that the site receives.

This is a reproduction from the indieWIRE article by Brian Brooks.

“We want a play button on every single page of IMDb,” said the popular film site’s founder Col Needham during a SXSW Q&A moderated by indieWIRE‘s Eugene Hernandez.

“Our strategy is to allow people to click the play button and they will be able to legally watch an entire movie for free,” Needham said. The amibitious goal, which Needham described as a broad strategy, has potentially massive ramifications for a site that currently receives three billion page views from 57 million unique users per month. So far, the site has 14,000 full length television shows and “a couple of thousand” full length movies and over 120,000 video items ranging from interviews to trailers and clips. Needham said IMDb will use its Withoutabox unit to give the site a direct connection with filmmakers as well as festivals in its effort to recruit feature length films for that play button. “We’re most excited at the moment with our video component,” said Needham.

Beyond the play button, IMDb is hoping to expand its international reach, and recently launched a German version. “We hope this will connect American and U.K. audiences to international film and vice versa,” said Needham, who launched IMDb in 1995 in Cardiff, Wales. Its genesis was an online chat group during the late ‘80s when he got the idea to collect a list of pretty actresses and their films to share with the group of mostly college-aged males. He said that the site received 60 hits in its first few hours. IMDb currently has 1.3 million titles in its database, with 170,000 added in 2008 alone.

“I grew up very passionate about film,” Needham said, recounting how IMDb came about. “In 1990 I saw 1100 films, which many not seem like a lot for some acquisitions people, but I didn’t work in film at the time - I was a full time employee (at Hewlett Packard). The site is driven by my passion and my teams passion for movies.”

Me, I definitively share their passion for movies, support their goals and hopefully all come true SOON. To read the post at indieWIRE go here.

Cheers!

13th Sofia International Film Festival Award Winners


Recently the fest had the awards ceremony and here are the winners.

Grand Prix for Best Feature Film: For My Father, Dror Zahavi (Germany-Israel) ... is a brave film dealing with impossible love with humor and humanism.
Special Jury Award: "Zift," Yavor Gardev (Bulgaria)

Best Bulgarian Feature Film: "Zift," Yavor Gardev (Bulgaria
The No Man’s Land Award for Best Balkan Film: My Marlon and Brando, Hueseyin Karabey, Turkey, Netherlands and UK, 2008

Best Director: Ozcan Aler for "Autumn,"(Germany-Turkey)
FIPRESCI Award: "The Happiest Girl in the World," Radu Jude (Romania)

Audience Award: Achilles and the Tortoise, Takeshi Kitano, Japan

To check the winners in all categories go here. Wish I could understand Bulgarian as there are quite a few movies that I really wish to see, like Zift.

Monday, March 16, 2009

2009 Miami International Film Festival Award Winners


Yesterday they had the award ceremony and here are the winners.

World Competition

Grand Jury Prize: Il Passato E Una Terra Straniera (The Past is a Foreign Land), Daniele Vicari, Italy, 2008

Best Director: Enrique Rivero for Parque Vía, Mexico, 2008
Best Actor: Michele Riondino in Il Passato E Una Terra Straniera (The Past is a Foreign Land), Daniele Vicari, Italy, 2008
Best Supporting Actress: Olga Louzgina in Het Zusje Van Katia (Katia’s Sister), Mijke de Jong, Netherlands, 2008

Audience Award: Kisses, Lance Daly, Ireland and Sweden, 2008

FIPRESCI Award: De Ofrivilliga (Involuntary), Ruben Östlund, Sweden, 2008

Ibero-American Competition

Grand Jury Prize: Historias Extraordinarias, Mariano LLinas, Argentina, 2008
Special Jury Mention
Tony Manero, Pablo Larrain, Chile and Brazil, 2008
Gasolina (Gasoline), Julio Hernandez Cordon, Guatemala, 2008

Best Actress: Catarina Zaavera in La Nana (The Maid), Sebastian Silva, Chile and Mexico, 2008

Audience Award: 5 Dias sin Nora (Nora's Will), Mariana Chenillo, Mexico

To check the winners in other categories go here.

Ju Dou


I know that I have to still write the reviews about the other Zhang Yimou and Gong Li films I have watched but I have to write about this movie right away as truly impressed me with a compelling story, excellent performances, absolutely outstanding cinematography and a young Zhang Yimou that clearly showed what was going to come next from him in this visually outstanding film that he co directed with Fengliang Yang.

With a script by Heng Liu the film tells about a woman, Ju Dou (Gong Li), married to the brutal and infertile owner of a dye mill that falls for her husband’s nephew, gets pregnant and the husband believes is his own son. Eventually the husband learns the truth and the most surrealistic situations develop until his death, and beyond this point the movie becomes truly like a Greek tragedy. Incredibly good and fascinating story!

Amazingly outstanding performance by a Gong Li that ages so credibly in the screen that you can hardly believe that the chubby faced young woman from the beginning becomes the lean faced older woman when she gets older. Truly amazing as I believe is not done with makeup, but with the outstanding use of light.

This is a movie done with no special effects and honestly the fire scenes that are over imposed (probably in editing) does not look real but who cares, as this is a movie that deals with colors and this is what really marveled me. As we will be able to see in his future films that “play” so good with colors, in this movie he absolutely plays with hot colors like red, orange and yellow and mixes them with the coolest one: blue. The palette allows the creation of visually outstanding takes, but here I find that the use of color is totally integrated into the story and in many moments the color(s) tells about what will happen next. Amazing and absolutely beautiful!

This 1990 film is definitively a must be seen Zhang Yimou and Gong Li film that if you haven’t seen it I suggest you rush to rent or buy the DVD. The movie was nominated for Best Foreign Language Film at the 1991 Academy Awards and was premiered in competition for the Palm D’Or at the 1990 Cannes; has many more honors in fests and awards around the world.

Definitively this is the most outstanding movie that I have seen lately and one that I highly recommend to all audiences (yes, all audiences) as I’m sure that you will enjoy the movie even when you do not particularly like art cinema.

BIG ENJOY!!!

Les Ambitieux (Ambitious)


If you browse the blog you will find that I do not really like French comedies, but I was able to catch this movie in cable and I kept watching and watching until the end. Yeah, is a breeze romantic comedy but the story behind the comedy was what really got my attention.

This Catherine Corsini film tells about a young writer, Julien, dying to be published. Thanks to connections he gets his book sent to a major publisher and an appointment with an arrogant, snobbish, bitchy Parisian editor, Judith, which tells Julien he’s no good even when she never read the book. But they end up in bed and next morning Julien finds a box with many documents about Judith’s father, a ‘70’s guerrilla revolutionary that dies in combat in one Central American country when trying to kidnap the American ambassador. Julien just found his next story and this triggers a story of betrayal and amour fou with a happy ending -for a change in a French movie. .

Not a masterpiece but quite entertaining with excellent performance by Karin Viard as truly “crazy” Judith Zahn; but also Eric Caravaca does a great weak Julien that grows into a successful writer thanks to “stealing” Judith’s father story.

Anyway if you do not like French comedies –like me- and wish to have a light entertaining moment with a “crazy” fast paced romantic comedy then perhaps you should give this movie a try, as it will not disappoint you.

Enjoy!!

La Chambre des Morts (Chamber of Death aka Room of Death)


Not very often I would dare to watch what it seemed from the descriptions I read as an unpleasant movie about lesbian killers. But because I saw the trailer and I like the main actress, Mélanie Laurent, I decided to give it a try.

Well, yes is about lesbian killers but the movie was a nice surprise as totally kept my attention since the very beginning until the end of the movie and was quite interesting to follow the three (or four?) stories developing simultaneously until they slowly merge into one.

This movie belongs to the crime, mystery, thriller and drama genres and in my opinion successfully intertwines the stories with a style that mixes very French cinema with some touches of American cinema and the end product is not bad at all. After reading about the movie I found that many found the story predictable, which I didn’t at all; but I think I know the reason why. Some people watch movies because of the story they tell and I imagine that most watched this movie following the story; if you watch the movie following only the story, yes it will be predictable.

But you know me; I don’t watch movies only for the story and spontaneously this movie grabbed my attention for the actors’ performances (I was mesmerized with Mélanie Laurent performance) and the foggy and darkish cinematography that created great visuals for what I call a basic police story.

Some viewers find the story similar to The Silence of the Lambs. Me, I don’t; besides having a female police as the lead and some little cinematic details I find in this movie nothing else related to Demme’s film. Then the Silence of the Lambs is about the police woman and the serial killer; this movie is only about the police woman and a terrible incident that happens right at the beginning of the movie when she was a little girl.

Anyway I think I will not tell you what is about as if I do I will totally spoil the movie, suffice is to say that what triggers the involvement of the police is a child kidnapping going wrong when the man delivering the ransom money is hit by a car, he dies and the men driving the car steal the money. The kidnapers watch all, get the car license plate and “decide” to kill the little girl. Think I already spoiled too much the story, so you have to watch this Alfred Lot (he also wrote the script) movie to find all the twists in the story.

This could be a lesbian interest movie, but definitively I will not give the label as I believe that the lesbian interest moments are incidental and not essential to the story even when I totally understand the reason why the killer was lesbian.

The movie is not for all audiences as we have to remember that this is French cinema and you definitively have to like it to see all the nuances beyond the story. The film won the Best Writer for Alfred Lot at the 2008 Lumiere Awards and truly deserves the award.

I liked the movie that easily grabbed my attention, kept me interested and even tense at some moments, but I know that many will not like it, especially those that do not like to watch fake and “weird” animals’ killings.

Enjoy!!!

Sunday, March 15, 2009

2009 Cannes News


 I can’t find the announcement at the official Cannes site, but from several reliable news sources I found the new six directors that will attend the Cinéfondation 18th session of La Résidence from March 1st to July 15th and here they are.

First-time filmmakers
Yael Gidron from Israel with Nature Film follows the return of Daphna to the army base she fled from after spending a few days in a nature reserve.

Rafael Kapelinski from Poland with Up on the Roof describes the efforts over a 3-day period of Marek Makowski (40), in exile in Dublin and making do as best he can, to prove to his wife who has arrived unexpectedly that he has a flat, a boss, an office and a secretary.

Martin Turk from Slovenia with Feed Me With Your Words the tale of a family affected by mental illness.

Andreas Bolm from Germany with The Revenant observes how 19 year old Fabian, after having abandoned his girlfriend and child on the spur of the moment, allows himself to be mistaken for Thomas, the son of Ada and Volker, who has long since disappeared without a trace.

Second-time filmmakers
Julio Hernandez Cordon
from Guatemala with Dust looks at the paths of two young men, Ignacio (mixed race) and Juan (Indian), who can no longer put up with their mothers or their misfortune.

Esteban Larrain from Chile with La Virgen de Peñablanca (La Vierge de Penablanca) makes a study of manipulation through the story of a 13 year old child in Pinochet’s Chile, who talks of the Virgin Mary and who, in just a few weeks, attracts more than 100,000 people to come see the apparition.

As you recall this program helps young filmmakers write a screenplay and prepare for the production of their first or second feature film. I’ll be checking the fest site to confirm the info and post the link when they publish.

Saturday, March 14, 2009

Synedoche, New York


Charlie Kaufman is known for his outstanding scripts like Being John Malkovich, Adaptation, Confessions of a Dangerous Mind and Eternal Sunshine of the Spotless Mind that many of us probably saw and liked the movies, even when we found them “strange”. But Kaufman’s directorial debut with his own script is definitively the stranger of all.

This is a not easy to watch film about life and art, about art and life, and about everything that is between when you start with life and end with art or when you start with art and end with life. Clear? I doubt it. But you can’t take your eyes from the screen as since the beginning puzzles you, then the “transition” makes you totally lost and guessing what’s going on, and the most fantastic surreal second act with double scenes of many situations all happening inside an impossible large warehouse with a life size replica of Manhattan streets.

The story can be simple on the surface. A small town stage theater director Caden Cotard (Philip Seymour Hoffman) co-exist in a senseless marriage that falls apart when his wife Adele Lack (Catherine Keener) leaves with their daughter to Berlin. Caden suffers a litany of physical maladies that well resembles a true hypochondriac with fear to be dying that totally influences his relationships with women, especially the theater box office lady, Hazel (Samantha Morton). Story jumps in time to when Caden wins a MacCarthur endless money grant and decides to direct a play of his own writing and so he does. This is when the second act starts that to put it simple, the play is about his life until his very last breath.

But obviously the story is not as simple especially in the second act, but you have to know that is quite complex (different complexity) also in the first act and the transition. Confused? You really have to see the movie to get an idea of how complex this movie is and definitively if you dare to watch it twice and more times, you will discover the many layers that surely you didn’t notice the first time you saw it.

Performance by Hoffman is stellar but also all the leading ladies are fantastic including Catherine Keener, Michelle Williams, Samantha Morton, Emily Watson, Jennifer Jason Leigh, Hope Davis and Dianne Wiest. Perhaps the strangest role goes to Jennifer Jason Leigh but I sort of get it as she’s always playing crazy/disturbing characters.

I think that up to now I have written more with emotion from watching this movie, but I have to tell you all that this is a movie could show you paranoia, could make you feel claustrophobic (thanks to great camera work and framing in tiny spaces) and could disgust many with the constant references to body fluids, physical malfunction, bleeding and deterioration. But still if you can endure what I call the second act in the end you will be exposed to gravely serious contemplation of life, love, art, human decay and death that I’m sure will blow your mind and leave you thinking about many life related issues.

The movie was premiered in competition for the Palm D’Or at the 2008 Cannes (took me almost a year to be able to watch it) and since then has had many honors in festivals around the world, including winning the Best Ensemble Cast (tie) at the 2008 Gotham Awards, Best First Feature and the Robert Altman Award at the 2009 Independent Spirit Awards. Please browse the blog to find more honors that the film totally deserves.

Absolutely not for all audiences and not suited for those that need clear stories in their movies. You have to enjoy movies where dialogue is important (talk, talk, talk), with impossible and surreal surroundings, and the best reference is that if you enjoyed the movies Charlie Kaufman wrote, then probably you will highly enjoy his directorial debut. Bravo!

Enjoy!!!

2009 Deutschen Filmpreis Nominations


Yesterday the Deutschen Filmpreis announced the nominees for this year Lola's Awards and here they are for some categories.

Best Film
Der Baader Meinhof Komplex (The Baader Meinhof Complex), Uli Edel
Chiko, Oezguer Yildirim (producer is Fatih Akin)
Im Winter Ein Jahr (A Year Ago in Winter), Caroline Link
Jerichow, Christian Petzold
John Rabe, Florian Gallenberger
Wolke 9 (Cloud 9), Andreas Dresen

Best Director
Andreas Dresen for Wolke 9 (Cloud 9)
Uli Edel for Der Baader Meinhof Komplex (The Baader Meinhof Complex)
Florian Gallenberger for John Rabe
Christian Petzold for Jerichow

Best Actress
Anne Maria Mühe in Novemberkind (November Child)
Ursula Werner in Wolke 9 (Cloud 9)
Johanna Wokalek in Der Baader Meinhof Komplex (The Baader Meinhof Complex)

Best Actor
Josef Bierbichler in Im Winter Ein Jahr (A Year Ago in Winter)
Denis Moschitto in Chicko
Ulrich Tukur in John Rabe

Best Supporting Actress
Irm Hermann in Anonyma (A Woman in Berlin)
Susanne Lothar in Fleisch ist mein Gemuse
Sophie Rois in Der Architect (The Architect)

Best Supporting Actor
Steve Buscemi in John Rabe
Andreas Schmidt in Fleisch ist mein Gemuse
Ruediger Volger in Effi Briest

To check the nominees in all the categories go here available only in German. The award ceremony will take place in Berlin on April 24. Seems that I have to program a German cinema cycle as there are some films that definitively I have to watch here.

For my German readers I suggest to check the Lola Festival 09 site that will run from April 16 to 22 in many cities.

Wednesday, March 11, 2009

35th Annual Saturn Awards Nominations


Recently The Academy of Science Fiction Fantasy & Horror Films ( I had no idea it existed, lol) announced the nominations and even when some films that fit the genres in this academy are not my cup of tea, here are some of the nominees.

Best Science Fiction Film
The Day The Earth Stood Still
Eagle Eye
The Incredible Hulk
Indiana Jones & The Kingdom of the Crystal Skull
Iron Man
Jumper

Best Fantasy Film
The Chronicles of Narnia: Prince Caspian
The Curious Case of Benjamin Button
Hancock
The Spiderwick Chronicles
Twilight
Wanted

Best Horror Film
The Happening
Hellboy II: The Golden Army
The Mummy: Tomb of the Dragon Emperor
Quarantine
Splinter
The Strangers

Best Action/Adventure/Thriller Film
Changeling
The Dark Knight
Gran Torino
Quantum of Solace
Traitor
Valkyrie

Best Director
Clint Eastwood for Changeling
Jon Favreau for Iron Man
David Fincher for The Curious Case of Benjamin Button
Christopher Nolan for The Dark Knight
Bryan Singer for Valkyrie
Steven Spielberg for Indiana Jones & The Kingdom of The Crystal Skull
Andrew Staton for WALL-E

Best Actress
Cate Blanchett in The Curious Case of Benjamin Button
Maggie Gyllenhaal in The Dark Knight
Angelina Jolie in Changeling
Julianne Moore in Blindness
Emily Mortimer in Transsiberian
Gwyneth Paltrow in Iron Man

Best Actor
Christian Bale in The Dark Knight
Tom Cruise in Valkyrie
Robert Downey, Jr. in Iron Man
Harrison Ford in Indiana Jones & The Kingdom of The Crystal Skull
Brad Pitt in The Curious Case of Benjamin Button
Will Smith in Hancock

Best Supporting Actress
Joan Allen in Death Race
Judi Dench in Quantum of Solace
Olga Kurylenko in Quatum of Solace
Tilda Swinton in The Curious Case of Benjamin Button
Charlize Theron in Hancock
Carice Van Houten in Valkyrie

Best Supporting Actor
Jeff Bridges in Iron Man
Aaron Eckhart in The Dark Knight
Woody Harrelson in Transsiberian
Shia Labeouf in Indiana Jones & The Kingdom of The Crystal Skull
Heath Ledger in The Dark Knight
Bill Nighy in Valkyrie

Best Performance by a Young Actor
Freddie Highmore in The Spiderwich Chronicles
Lina Leandersson in Let The Right One In
Dev Patel in Slumdog Millionaire
Jaden Christopher Smith in The Day The Earth Stood Still
Catinca Untaru in The Fall
Brandon Walters in Australia

I’m glad I learned that Carice Van Houten and Bill Nighy are in Valkyrie as now I will give the movie a try. In the best actress category I have to say that my favorite is Cate Blanchett as she truly deserves recognition for this role.

To check nominees in other categories as well as in TV go here. The award ceremony will take place on June 25.

The Czech Lions 2009 Winners


Two days ago the Czech academy had their award ceremony and here are the winners.

Best Film: Karamazovi
Best Director: Petr Zelenka for Karamazovi
Best Actress: Zuzana Bydžovská in VENKOVSKÝ UČITEL (A Country Teacher)
Best Actor: Karel Roden in HLÍDAČ Č. 47 (Guard No. 47)


To check all the winners go here available in Czech or go here for English.

Tuesday, March 10, 2009

2009 Tribeca Film Festival


One of the must publicized news today is how Tribeca announced its lineup and how this fest was affected by recession, as will screen only 86 feature films which means a 28% decline from last year’s fest.

We know that the worldwide recession has to affect festivals and in my vision I see that the real crush has to come next year, as recession was made “public” not long ago and hopefully we still will be able to watch and/or learn about great movies this year, at least those that were filmed late last year and those with committed funds and no withdrawal possibilities. 2010 could be drier, but 2009 has to not be. Let’s be positive.

Anyway this is the fest lineup in the World Narrative Feature Films.

Darbareye Elly (About Elly), Asghar Ferhadi, Iran (seems very interesting)
Accidents Happen, Andrew Lancaster, Australia
The Eclipse, Conor McPherson, Ireland
The Exploding Girl, Bradley Rust Gray, USA
El Niño Pez (The Fish Child), Lucia Puenzo, Argentina, Spain and France (must be seen for me, lesbian interest)
Handsome Harry, Bette Gordon, USA
Tamo i ovde (Here and There), Darko Lunglov, Serbia, Germany and USA
Nord (North), Rune Denstand Laglo, Norway
Joeueuse (Queen to Play), Caroline Bottaro, France and Germany (a must be seen for me as is with Sandrine Bonnaire, but also here Jennifer Beals ???)
Sheva Dakot Be’gan Eden (Seven Minutes in Heaven), Omri Givon, Israel
Stay Cool, Michael Polish, USA
Vegas: Based on a True Story, Amir Naderi, USA

To check info about the above films and the films in the World Documentary Feature Films and Discovery Section go here.

Miao Miao 渺渺


Not exactly what I was hoping for but still a very entertaining movie with excellent production values as has the most exceptional crew backing up first time director Cheng Hsiao-Tse. This is a movie that looks and feels like high quality cinema as is produced by Wong Kar-Wai’s production company with especial mention to editing done by Wong Kar-Wai’s extraordinary editor William Cheun Suk-Ping.

The movie tells about two girls and their innocent discoveries with first love. Bubbling Xiao-Ai (Chinese-French actress Sandrine Pinna, aka Chang Yung-yung) meets quiet Dai Si Shi-miao, aka Miao-miao (Ke Jia-yan) a Taiwan born exchange student that lives in Japan and the two girls become inseparable with Xiao-Ai totally falling for Miao-miao. But Miao-miao falls for Chen Fei a silent guy that runs a cozy little second hand CD’s shop and is grieving the death of his true love. So you have one of those stories where girl falls for girl who falls for guy who was in love with another guy and as expected the end is not really happy for anyone. Simple story, yet with a twist that travels both the lesbian as the gay interest genres.

But this is a movie to watch for the excellent production values plus some quite amazing and interesting visuals and yes, for a very light and entertaining very likable story about two teenage girls that it’s fun to watch, even when the movie is really arty.

Performances are good and main characters are definitively good-looking so it is not really hard to get fast involved with the movie. The movie got two nominations at the 2008 Asian Film Awards for Best Editor and Sandrine Pinna for Best Newcomer. Highly recommended for those that enjoy quality cinema and well, I do recommend it to those that enjoy the lesbian and gay interest genres as a perhaps common story extremely well packaged.

I definitively liked the movie for its production values, but also because the breezy tone the movie has as manages to touch complex issues in a simple down-to-earth way.

Enjoy!!!

Saturday, March 07, 2009

24th Guadalajara International Film Festival – News


From March 19 to 27 the fest will take place in really nice Guadalajara, Mexico and they haven’t published the films but there are some interesting news.

The fest will have the following parallel sections.

Movie-under-Construction 3
Ibeoramerican Films crossing Borders
Guadalajara Film Market & Producers Network
(Marché du Film, Festival de Cannes)

In the Movie-under-Construction 3 six projects will be participating for the section prizes and the films are the following.

Apaporis, en Busca del Rio, Jose Antonio Dorado, Colombia
Martha, Marcelino Islas Hernandez, Mexico
La Bodega, Ray Figueroa, Guatemala
Dawson, Isla, Miguel Litten, Chile
La Yuma, Florence Jaugey, Nicaragua
Bailarina Sola Busca, Orlando Rojas, Cuba and USA

The projects will be evaluated on March 23 and 24 and prizes will be awarded on March 25. to check the full press release with more information about the sections go here.

It has been announced that the fest will screen 620 films including 278 feature-length fiction, 144 documentaries and 198 shorts. The Made in Mexico section will offer 19 market screenings exclusively of Mexican films recently produced in 2008-2009.

Let’s hope that soon they will publish the full program and as soon as they do I will post it here.

18th Verzaubert International Queer Film Festival


From March 18 to 25 the fest will take place in Berlin and will also run in Frankfurt (from March 25 to April 1), Cologne (March 26 to April 2) and Munich (April 1 to 8).

There are many movies that you can browse in the Berlin catalogue that is here, but if you wish to attend the fest in another city I suggest you check the city catalogue and/or schedule.

Since I know that some of my known readers live in Germany here are some of the lesbian interest films that I suggest to watch in the big screen.

Sens Interdits (Prohibited Senses), Sumeya Kokten, Belgium, 2008 (lucky you all that can go)
When Kiran Met Karen (very lucky you all that can go)
Steam
To Each Her Own
Tru Loved
I Can’t Think Straight – screened in a matinee with coffee and croissants (just great isn’t?)
Champion – from the boxing ring to the bedroom (??!!)
The Crown – strange yet interesting documentary about a Colombian women prison and the most surreal beauty pageant.
The Elle World – a collection of genre shorts, some seem really interesting.

They will also show: Puccini for Beginners, Affinity, Grey Matters, and The Secrets. Obviously there are many gay interest movies with some that I know that I’ll watch eventually.

Friday, March 06, 2009

3rd Gopo Awards Winners


Organized by the Romanian Film Promotion and voted on by 400 film professional the Romanian awards are named after a character created by late filmmaker Ion Popescu-Gopo, who won the Palme d’Or in 1957 Cannes for Best Animated Short. Here are some of the winners that were announced recently.

Best Picture: Restul e Tacere (The Rest is Silence), Nae Caranfil
Best Director: Radu Muntean for Boogie
Best Actress: Anamaria Marinca in Boogie
Best Actor: Dragoş Bucur in Boogie

Best European Film: Obsluhoval jsem anglického krále (I Served the King of England), Jiří Menzel, Czech Republic

The winners are not yet posted at TIFF site but I assume that soon they will post them as the previous winners are posted there. The Romanian Film Promotion site is here and has a link to a Variety article where you will find some of the winners.

I know I haven’t seen Boogie but I also know that I’ll be seeing it as soon as I go back home.