Thursday, April 30, 2009

Fast & Furious


Here I am with my eclectic taste in movies but I couldn’t miss the fourth installment of this series (have seen them all) especially when they brought back Vin Diesel! Yeah, he’s about the only action actor left (the others are getting too old) that I like to watch in the big screen as (please do not critique me too much) I really enjoy his always-the-same personality projected in his always-the-same characters.

Definitively this is a fast car action film that I only recommend to those that have seen the previous three and if you are thinking of giving a try to this one, at least you have to see the first (The Fast and The Furious) –that’s still the best of all- to enjoy this one.

But I also watched because Paul Walker, Michelle Rodriguez crazy acrobatics and most of all Jordana Brewster that finally gets into a car (even if is just for a few seconds!).

Anyway, this is an acquired taste film and I insist that only those that have seen the series will enjoy this type of very entertaining movies that for more than an hour will take your head far away from the real world.

One last thing, the action in this film is totally out of reality and I found it very similar to Quantum of Solace; the thing is that here is great and fun to watch, but in a James Bond movie you do not expect or enjoy this type of action at all.

Enjoy!!

Stella


Not very often you get the opportunity to see in a movie slices of your own life, so definitively whatever movie does it will become a very personal film to you. I believe that the key word for this film is very personal, not only because is an autobiographical portrait by Sylvie Verheyde but also because tells a story that is common to many only child that grows-up among mainly adults and tends to be quiet, lonely and shy, while inside their head a huge world of ideas, desires, wishes, etc. transit and travels.

The above is what Stella, directed and written by Sylvie Verheyde is all about and you have to add a clash of social classes when an 11-year-old girl from a working class family gets the opportunity to go to a higher class high school where she meets Balzac –and others- not necessarily because classes, but because her only friend, the daughter in an Argentinean Jewish family of intellectuals.

Set in 1977 –with great casual period reconstruction- the film follows Stella (Leora Barbara) in the one school year that changed everything for her as she will discover not only a different world, but also will be exposed to the good, the bad and the ugly.

Most impressive is Léora Barbara debut as with expressions and especially the absence of face expressions or actress marvelous inexpressive moments, tells us so much more than with the sparse narrative dialogue and the character non-intrusive narration. Absolutely a very impressive performance that you cannot miss in this movie that totally belongs to the great young actress. Supporting cast is also good and includes Guillaume Depardieu as one of the few adults that took some care of Stella.

The film was screened at the Venice Days section of the 2008 Venice fest where won a Special Award and has been collecting more honors in mainly European fests. Not for all audiences you have to really like French cinema and touchy autobiographical recounts; but if by any chance you’re female, only child, and grew up among mainly adults then this is a must be seen film for you as probably will show you a few slices of your own life.

I enjoyed the movie beyond the personal slices of my life I saw in the film, as not only has great tech specs but also honestly has an outstanding performance by the young actress and a director that is a great storyteller in a very personal story. As such I do recommend this film to many that read the blog.

Enjoy!!!

Wednesday, April 29, 2009

19th Annual Inside Out Toronto LGBT Film and Video Festival


From May 14 to 24 this prestigious fest will take place again in Toronto and as far as I’m able to find in their not really user-friendly site, they will screen many LGBT films, but also other films that do not belong to the genre and while this is highly unusual, I believe that’s a great opportunity for fest goers to watch great films, especially one in the section called Focus on France, the fabulous –newly restored- 1956 Oscar-winning short film The Red Balloon by Albert Lamorisse.

Lamorisse’s short film is also part of the Children’s Program that is an outstanding initiative addressed primarily –but not only- to kids from non-traditional households that not only is free for children 10 and under, screens three films but also has a special event inspired by The Red Balloon that yes, has something do to with real red balloons. Simply great and truly remarkable to find a film fest that thinks about children from non-traditional households.

Right now I don’t have the time to browse the non user-friendly site (have to say it again!), but there are many films in the lesbian interest genre that I’m not familiar with and I assume are short films. As soon as I’m able to check the 70+ films in the genre I’ll share if there are “new-to-the-blog” feature films. But if you want to check the list go here.

Have to say that also there are some interesting films that belong to the gay interest label, especially the ones in the Focus on France program. I’ll try to also list them later.

9th Weisbaden Festival of Central and Eastern European Film Award Winners


The fest is better known as goEast, for the support given to young filmmakers and this year showcased many films that you can check here. Yesterday they had their award ceremony and here are the winners.

Golden Lily for Best Film: Gagma Napiri (The Other Bank), George Ovashvili, Georgia and Kazakhstan, 2009
A courageous depiction, from the optimistic perspective of a child, of an ongoing conflict that is among the gravest of our times in terms of weapons levels.

Best Director: Boris Khlebnikove for SUMASŠEDŠAJA POMOŠČ ( Help Gone Mad), Russia, 2009
A bold approach to his subject as well as his unusual and touching allegory on post-communist society

German Federal Foreign Office Prize: Morphija (Morphia), Aleksei Balabanov, Russia, 2008
A highly unusual depiction of Russia in the early days of the Revolution and of the tragic end to the life of a human individual

Honorable Mentions
Actress: Andreea Bosneaag in Cea Mai Fericta Fata Din Lume (The Happiest Girl in the World), Radu Jude, Romania and Netherlands, 2009
First Film: Javor Gardev for Zift, Bulgaria, 2008

FIPRESCI Award: Gagma Napiri (The Other Bank), George Ovashvili, Georgia and Kazakhstan, 2009

To check the winners in all categories go here.

Cannes Classics 2009


As many are saying, Cannes is not only about the competition and if you’re really familiar with the fest you already know that. You have one of the largest world market in this fest, the Marche Du Film; and you have so many events and activities, that if you’re lucky enough to attend the fest, you could party the entire fest without watching a single film (he, he) and perhaps many do the last.

Anyway today the news comes from Cannes Classics 2009 that named Martin Scorsese its honorary president. As some of you remember this section was established in 2004 to accompany the contemporary films of the Official Selection with a program of restored and rediscovered films to be released theatrically or on DVD.

The program this year includes a selection of restored and new prints for films like the following that I have seen, but if you have not I suggest you do not miss.

L’Avventura by Michelangelo Antonioni, 1960
Pierrot Le Fou by Jean-Luc Godard, 1965
Senso by Luchino Visconti, 1954

Most interesting is the news about the World Cinema Foundation that helped the Bergman Foundation to restore unseen footage from Igmar Bergman’s “home movies” shot by Bergman during the making of his films and this year they will present Images from the Playground, a 29 minutes short that was restored by Stig Bjorkman.

To check the all films in the Cannes Classic 2009 section please go here.

2009 Palm Beach International Film Festival Award Winners


From April 23 to 27 the fest will run in South Florida and here are some of the films in competition. The fest site is not really that friendly, so perhaps there are more feature films in competition.

For My Father, Dro Zahavi, Germany and Israel
Lightbulb, Jeffery Balsmeyer, USA
*Machan, Uberto Pasolini, Italy, Germany and Sri Lanka - Winner of Best Film (tie)
Red Baron, Nikolai Mullerschoen, Germany
*Skin, Anthony Fabian, UK and South Africa (interesting…) - Winner of Best Film (tie)
*Stone of Destiny, Charles Martin Smith, Canada and UK - Winner of Best Director

The fest also features a special Italian Cinema sidebar, curated by Veronica De Laurentis. Opening film is Stone of Destiny and Closing film is 500 Days of Summer by Marc Webb. More than 110 films will be screen at this year’s event. The awards gala will be on April 24th.

To check the complete films list and to check all the award winners please go here.

Tuesday, April 28, 2009

22nd Singapore International Film Festival Award Winners


The fest will run from April 14 to 25 and will screen 193 films from 34 countries and this year will include two tributes honoring 25 Years of the Thai National Film Archive and
the Amos Gitai Retrospective.

These are the puzzling films in the Asian Feature Film Competition

A Big Road, Alec Tok, Singapore, 2009
Three women’s lives interweave at the crossroads of life and death in modern Shanghai.
Blind Pig Who Wants to Fly, Edwin, Indonesia, 2008
A disturbing and darkly funny reflection on the anxieties and grievances of being Chinese in Indonesia.
Boy, Auraeus Solito, Philippines, 2009
A coming-of-age story about a boy who falls in love with a Macho Dancer.
Ddongpari (Breathless), Yang Ik-June, Korea, 2008
An unflinching tale of physical violence and its emotional fall-out in this powerhouse debut from actor Yang Ik-june.
*Every Night, Loneliness, Rasoul Sadr Ameli, Iran, 2008
Atieh, a radio program host, thinks she is pregnant, only to find out that she has a serious illness. -Winner of Best Director
Yu Yan
(Fish Eyes), Zheng Wei, China, 2009
Deshui and his father encounter a girl who escaped from a mental institution, and take her in as one of their own. Jalainur (a Mongolian word meaning “ocean-like lake”) is a coal mine in the Manzhouli City of Inner Mongolia. – Most interesting as seems is visually outstanding!!!
*Zha Lai Nuo Er (Jalainur), Zhao Ye, China, 2008 - Winner of NETPAC Award
Old Zhu is a train driver who is about to retire, but his friend Zhihong is unwilling to let him go.
*Eid Milad Laila (Laila’s Birthday), Rashid Masharawi, Palestine, Tunisia and Netherlands, 2008 - Winner of Best Film
Abu Laila is a cabdriver whose day turns in all the wrong directions, but is determined to get home for his daughter’s birthday.
Cinta Setaman (Love Potpourri), Harry Dagoe Suharyadi, Indonesia, 2008
An omnibus of eight short stories dealing with love and devotion in contemporary Indonesia.
Sell Out!, Yeo Joon Han, Malaysia, 2008
Is Malaysia losing its heart and soul to corporate capitalism? This hilarious musical has all the answers.
Qilu Tiantang (Sincerely Yours), Rich Lee, Taiwan, 2009
In this story about the unbreakable human spirit, Setia and Supayong are illegal workers in Taiwan who discover their capacity to survive and to fall in love.
Xiao Shu’s Going Home, Hao Yifeng, China, 2008
A simple tale about going home becomes a reflective look at the trials and tribulations of restless adolescents in modern China.

The fest has five sections with many interesting films and here is one peculiar example.

Female Games, Kan Lume, Singapore, 2009 – Panorama section
A pair of young and naive Singaporean models travel to Kuala Lumpur to meet a dubious casting agent, leaving behind a suspicious boyfriend and a lesbian lover respectively. Both girls begin as strangers, grow into allies, and launch into a fight after one of them decides to seduce the agent. Things veer horrifically out of hand when the agent attempts to rid himself of the models, forcing them to confront him with drastic consequences. Not unlike Thelma and Louise, the ladies run from the law and flee to Penang to save themselves. Soon they begin to fall for each other. The first contemporary Singaporean film to boldly portray female homosexuality, Female Games is shot in a style that frames the experiences of the protagonists within the much larger world, emphasizing how the lives of its characters are dwarfed and shaped by their societal environment, even as the girls eventually find the will to take control of their lives again. Severe naturalistic lighting, as well as the camera’s coolly detached perspective, heighten the pair’s increasing sense of helplessness and vulnerability, as they discover how an excursion over the causeway can turn out to be more than either of them had bargained for.
Please note that it seems that this movie was withdrawn from the fest as passed with cuts… hmm!

The fest will install this year a new section to spotlight the talents of the growing Singapore film industry: The Singapore Film Awards and these are some of the nominees.

Best Film
12 Lotus
18 Grams of Love
Kallang Roar The Movie
Lucky7
A Month of Hungry Ghosts
*Rule #1 - Winner of Best Film

Best Director
*Royston Tan for 12 Lotus -Winner of Best Director
Han Yew Kwang for 18 Grams of Love
Jack Neo for Money No Enough
Kelvin Tong for Rule #1

To check the other nominees go here and to browse the fest site go here. To check the award winners in all the categories including shorts go here.

12th Malaga Film Festival Award Winners


Last Sunday the fest had the award ceremony and here are the award winners for the main categories.

Main Competition
Gold Biznaga for Best Film: La Verguenza (The Shame), David Planell
Silver Biznaga – Special Jury Award: El Niño Pez (The Fish Child), Lucia Puenzo,
Silver Biznaga – Critics Awards: Pagafantas (The Friend Zone), Borja Cobeaga
Silver Biznaga for Best Director: Mar Coll for Tres Dias Con La Familia (Three Days with the Family)
Silver Biznaga for Best Actress: Nausicaa Bonnin in Tres Dias Con La Familia (Three Days with the Family)
Silver Biznaga for Best Actor: Eduard Fernandez in Tres Dias Con La Familia (Three Days with the Family)

To check the award winners in all the categories go here.

Territorio Latinoamericano Section
Silver Biznaga for Best Film: Cordero de Dios (Lamb of God), Lucia Cedron
Silver Biznaga – Special Jury Award: Macuro, Hernan Jabes

ZonaZine Section
Silver Biznaga for Best Film
: 25 Kilates (25 Carats), Patxi Amezcua

To check all the award winners in the Latin-American and ZonaZine sections go here.

For a reason I cannot understand I'm unable to browse the site, so I haven’t been able to check the films; but besides the honor for El Niño Pez, the fest has another great news. I’m referring to the announcement by Julio Medem about his next film called Habitación en Roma (Room in Rome) that is the story of two women Alba and Natasha, starring Elena Anaya as Alba and Natasha Yarovenko as Natasha. The film seems VERY interesting and absolutely belongs to the lesbian interest genre. To check the announcement available only in Spanish go here.

2009 International Women’s Film Festival Dortmund/Cologne Award Winner


The fest will run from April 21 to 26 in Germany and here are the films in the International Feature Film Competition.

Alle Anderen (Everyone Else), Maren Ade, Germany, 2009
This is the story of Gitti and Chris, an odd couple who are battling their way through a holiday of secluded togetherness. We get to know two people as they really are when they are alone: secret rituals, silliness, unfulfilled wishes and power games. Triggered by a seemingly unimportant event – an encounter with another couple – their relationship begins to deteriorate. Alle Anderen, the winner of two awards at the Berlin Film Festival and directed by Maren Ade, narrates in a highly subtle way the story of a couple's relationship on holiday in Sardinia on the one hand. On the other, it calmly introduces broader social topics such as personal responsibility and the disorientation of a generation as a whole. A finely humorous but cruelly precise study of the contradictory desires of a couple searching for their own identity. An intimate love story that trawls the depths of an individual relationship and reflects the generic emotions. "I wanted to make a film about the convoluted yet unique entity that is represented by two people in a relationship. The main character of the film is not so much an individual as a couple", says Ms Ade.
Best Film Winner.
Jury Statement: A wonderfully staged film perfectly played and also entertaining how intelligent. The oldest of all topics - love - us is presented with huge honesty, with courage and passion. The film focuses a seemingly normal pair and gradually, in subtle plot introduction it allows the audience to question their own Liebesfähigkeit and the values of our society. We see our own world with new eyes.

To check the official annoucement go here.

Lio Lang Shen Go Ren (God Man Dog), Singing Chen, Taiwan, 2007

Niu Lang Zhi Nu (Knitting), Yin Lichuan, China, 2008
Daping hates Haili who arrives out of nowhere into her apartment, her life and her promising relationship with Chen Jin. Although Daping tries to be a nice, Haili is on her back all the time. Then one day, Chen Jin disappears, leaving Daping pregnant and with little notion of how to survive. But in her life Haili has also experienced many a hardship and might be just the right person to help out in this crisis. Despite Haili's tendency to mock, there's a good chance that the two women might bond ... In Knitting, director Yin Lichuan tells the story with wit and charm of a refreshingly absurd ménage a trois. The act of knitting seems to be the one constant factor in the daily fight for survival led by three drifters in the big city.

Les Bureaux de Dieu (God’s Offices), Claire Simon, France, 2008
Djamila wants to start taking the pill because things with her boyfriend are getting serious, Zoe's mother gives her condoms but treats her like a prostitute, Nedjma hides her pills outdoors because her mother searches her bag, Helen thinks she's too fertile, Clemence is afraid; Adeline and Margot want to keep it, Maria Angela would like to find out who got her pregnant and Ana Marie has chosen love and liberty — while Anne, Denise, Marta, Yasmine and Milena are the counsellors who listen to all the women and who wonder how sexual freedom will ever be possible. Claire Simon has gathered the crème de la crème of French cinema's leading ladies – Nathalie Baye, Isabelle Carré, Béatrice Dalle, Nicole Garcia and Rachida Brakni – as the counsellors at a family planning clinic in Paris faced with all kinds of fates based on one common denominator: the dream of self-determined female sexuality.

Maman est Chez le Coiffeur (Mommy is at the Hairdresser’s), Léa Pool, Canada, 2007

Deti Noci (Night Owls), Michaela Pavlátová, Czech Republic, 2008
Michaela Pavlátová's second feature film is a story about Ofka, a young girl from Prague caught between childhood and adulthood. When she splits up with her boyfriend and when her best girlfriend betrays her, she falls into a strange state of lethargy. Every night, she works behind the counter at a corner shop serving the night-owls and other lost souls. Best Actor Awards for Martha Issová and Jiri Mádl in Karlovy Vary 2008.

Stella, Sylvie Verheyde, France, 2008
It's the wild 1970s of her own childhood that Sylvie Verheyde evokes in Stella. The eponymous eleven-year-old protagonist is growing up in her parent's bar in a Parisian working class district. Since her parents are occupied with themselves, not too much value is placed on educational achievement — and Stella is instead expected to tap the beer. But then she gets a place at a prestigious school in Paris and becomes friends with the daughter of Argentinian-Jewish intellectuals. Stella's life is about to change.

Wendy and Lucy, Kelly Reichardt, USA, 2008

To read the complete press release go here.

Freedom is the central theme at the Dortmund/Cologne International Women's Film Festival taking place this year in Dortmund. With its trademark range of films, talks and workshops, the festival will be highlighting current work by selected women film directors as well as some classic film gems that deal with the subject of freedom. Over six whole days, audiences will be treated to 100 films from different genres and of various lengths. To check all the films it the Focus 2009 section go here. To browse the fest site go here.

Monday, April 27, 2009

Trouble the Water


Not often I write here about documentaries but this 2009 Academy Awards nominee, winner of the Grand Jury Prize at the 2008 Sundance, winner of the Best Documentary at the 2008 Gotham Awards and more really deserving honors is one documentary that has to be seen by everyone allover the world, as not only tells an amazing tale of a family survival, but also because is a film that you cannot take your eyes from what’s happening in the screen thanks to brilliant storytelling, incredible real footage and great editing that builds tension, allows you to relax only to go back to tension, especially in the first half of the doc.

The documentary tells about Kimberly Rivers Roberts and her husband, both survivors and heroes of the New Orleans tragedy Katrina Hurricane. Just about a week before the hurricane Rivers bought a camcorder and with it she recorded the ordeal they and many of their neighbors had to endure, as they simply had no way, nowhere and/or no money to leave. They are black, they are poor and they are surviving in the poorest area of New Orleans. Honestly Rivers footage is impact full, but I do believe that editing is also excellent as her homemade footage is entwined with professional footage by the directors of the doc, Carl Deal and Tia Lessin, to produce an amazing and spellbinder recount that you simply cannot miss watching.

But the story continues as Deal and Lessin follow the Roberts for two years more and their story is unbelievably good not only because of what they –and many more- endured in the weeks, months, years after the disaster, but also because their own story and their ability to turn around their own lives.

I know that what you will be able to see in this documentary has controversial human, social, political and economical implications and because of all these, is also a very powerful film; but please do not let this comment scare you, as this is also an extraordinary document about an awful disaster, survival and the strong desire to turn around your lives with your own efforts.

I strongly recommend this great film as a must be seen excellent documentary and story about a disaster that its consequences on human lives are still in an impasse for many, especially those that lived in poverty and well, lost even their poverty status. All happening in the richest country in the world and not in one of the many so-called Third World countries.

Big Enjoy!!!

Sunday, April 26, 2009

Secret Places


Definitively not what I was hoping for as this is what many have called a “sleeper” and I really almost fall asleep. The true problem with this 1984 movie is that has two –perhaps more-interesting plots but they are not developed at all.

The first one could have been very interesting as is set during WWII and could have explored deeper what meant to be a German (non-Jew) teenager refugee in a British provincial school for girls as the main character Laura Meister was. From this drama we see some sparse moments all over the movie; so in the end we see something, but almost nothing. The second one is the relationship between the two girls, Patience and Laura that almost –but not quite- turns into a wartime romance.

So, in the end the movie is an “almost” but “not quite” movie that leaves you totally unsatisfied even when there are moments that performances by the two lead young actresses are not bad. By the way both actresses are daughters of renowned thespians, with Marie-Theres Relin (Laura) being Maria Schell’s daughter and Tara MacGowran (Patience) being Jack MacGowran’s daughter. Also in the movie, Claudine Auger in a very forgettable role and performance.

It was the first movie directed by Zelda Barron and definitively she did a below average job directing and writing the screenplay that is based on a Janice Elliot novel with the same name.

If you decide to skip the movie you will not be missing much.

Quinzaine Trailers


Tetro - Official Trailer (definitively must be seen!)



Behind the Scenes - Tetro - La Colifata (There are more videos check the movie site)



Les Beaux Gosses Teaser



Carcasses



Humpday



I Love You Philip Morris



잘 알지도 못하면서 Jal Aljido Motamyunseo (Like You Know It All)



Karaoke



Nang Mai (Nymph)




Polytechnique



Precious




There are links for trailers in the original post, especially one that is quite funny, that you can also watch with this link de helaasheid der dingen

Un Certain Regard Trailers


A Deriva (Adrift)



Independencia (Independence)



The Making of 空気人形 Kûki Ningyô (Air Doll)



Politist, Adjectiv (Police, Adjective)



Los Viajes del Viento (The Wind Journeys)



Mother



Please check the Lineup post as there are more trailers or movie scenes that cannot be embeded and only posted the link.

Cama Adentro (Live-In Maid)


No surprise that as much as I read about plot summaries, reviews and viewers comments the more I disagree with all of them. So I stopped reading, as it is obvious that this fantastic movie has many layers as a story and as a movie, and people will see whatever they can or are willing to see, so plot versions abound in the net.

Let me give you my version for this great Jorge Gaggero first film that honestly is a very visually simple chamber drama, but with the great performances by Norma Aleandro and Norma Argentina that with mainly expressions in an extremely good screenplay (written by Jorge Gaggero) plus extraordinary directing artistry brings to life a tale of personal economical down spiral –that reflects Argentina economical crisis- told by one of the most complex relations any female human being can establish; I’m talking about the relationship between a long-term live-in maid and the “patrona” (the female household boss).

I suppose that you have to live in a country or a region of many countries to really understand how deep and complex family relationships with long-term live-in maids can be; but many of us easily can understand that a non-family member that has lived in your home for the past 30 years definitively becomes part of your family. So with this in mind try to imagine the following.

A wealthy older woman, Beba (Norma Aleandro) is taken inside the economical down spiral that hit Argentina in the late 90’s. She’s is/was a strong, proud and divorced independent woman that run her own business, lost her only daughter when she left to live in Spain and was left with a few card playing gossip sharing friends, a no good for something brother and her only real companion is Dora (Norma Argentina) the housemaid that came to live with the family when she was 17-years-old and that was 30 years ago.

Beba owes Dora 7 months salary and is doing whatever possible for her not to quit, but eventually Dora has to quit as she has her own home, a lousy-lazy, no-good for something, cheating man in her life and needs money to go on living her own life, continue building her house and well, maintain her kept man. But the bond between these two different social classes women is one that has been slowly built for 30 years and is one of the most stronger –yet stranger- bonds that could happen with two women; so obviously, the split is going to be very hard and it is.

One last thing, when live-in maids come to upper class households at such young age they learn a lot of upper class habits that most of the time they have to deal as best as they can with their own reality when they go back –usually during weekends- to their families.

Wow, this is becoming too long so let’s get to the point. The film effectively plays with the two women complex relationship, with each women reality and with the inevitable split that none of them want to happen. Most interesting is the end of the movie that gives such a magical -yet realistic- end to this amazing two extreme opposite social classes women story, while truly reflecting the consequences to ordinary people in the Argentinean crisis. But as much as I try to resume what this movie is about, it’s impossible, as you really have to see it to grasp all the subtleties told with situations, actions, expressions and words.

But be suffice when I tell that this is one of the best films I have seen lately about two women relationship, as not only has excellent performances by always great Norma Aleandro and by surprisingly good non-actor Norma Argentina in her first ever role, but also has excellent visual and narrative storytelling by first time helmer Jorge Gaggero.

This 2004 film has been honored with nominations and wins at fests and awards all over the world, including being nominated for The Grand Jury Prize at the 2005 Sundance fest were won the Special Jury Prize; but extremely well deserved is the Best New Actress Silver Condor award that Norma Argentina won at the 2006 Argentinean Film Critics Association Awards, as well as Jorge Gaggero winning the Silver Condor for Best First Film.

If you want to get a glimpse about the consequences of an economical crisis in ordinary people –especially now that we are in a world wide depression- this is a movie that maybe could help you to envision them; but most of all this is a fantastic story in an excellent movie that I strongly recommend to women all over the world as a must be seen film with a not often seen in the big screen two women complex –in almost every sense of the word- relationship. By the way, this is no art cinema as many say; for me this is simply great cinema.

Big Enjoy!!!

Turneja (The Tour)


The Serbian submission to the 2009 Academy Awards was an interesting surprise as not only has very funny moments but also engages you quite fast with the peculiar style of Eastern Europe films that travels so well between comedy and tragedy. But this is a very serious movie that gives you a vision about the terrible and absurd conflict in old Yugoslavia. A vision that to my foreign eyes seems dispassionate as in the most amusing ways and using mainly words, tells you Goran Markovic’s -as he not only directed the movie but also wrote the screenplay- vision of the conflict and he does it in a very informative way especially for those not really familiar with the reasons that originated the civil war.

One of the lines that really hit me was when the doctor says “It would be difficult to make a movie about this war” that basically refers to how Serbs, Croats and Muslims living there speak the same language, look alike and well, were more homogenous than heterogeneous.

But, let me tell you what the story is all about. Set in 1993 when the civil war was really “ugly” and as is quite common allover the world, there are pockets of people –mainly in large cities- that are totally unaware of what’s happening. Here we have a half-dozen theater members unaware of everything that’s happening outside Belgrade that get tempted by the promise of getting paid with hard currency and get convinced to do a tour to the conflict area. In a way is like bringing some entertainment to the troops and the local war-torn population. But their motive is definitively the pay they will get.

Probably as I imagined at this point of the story, you can guess that everything goes wrong and you have no idea of how bad things get; but all the bad things are more with words said, some very dramatic actions and very little regular war action. So, even when is a war movie definitively is not your regular war action movie at all.

I think that what I like the most about this film is the story that really touched me as I found it very similar to what happens in real life civil wars; after all most civil wars in History are the most horrendous and absurd wars of all. But have to say that a story like this one could not be told so effectively if actors performances where not excellent and the large ensemble cast is really fantastic both in cinematic terms as in stage theater terms, as some of their performance moments are really good classic theater monologues. As I haven’t seen many films from this region of the world I’m not really familiar with the actors, but definitively some have to be well known to those familiar with old-Yugoslavia and new Serbian, Bosnian, Croatian, Macedonian, Slovenian, Montenegro or Kosovian cinema.

The movie has good tech specs that really deliver and help to convey the chaotic atmosphere of battle with cinematography mainly using a grayish/fogish palette. The movie won the Best Director and the FIPRESCI Prize at the 2008 Montreal World Film Festival and has other honors in European fests that you can find when you browse the blog.

The film definitively has political tones that have to touch in different ways to those that lived the conflict and surely will generate all kind of reactions in the wide range between positive to negative. But for those of us that were far away from the conflict, the film definitively gives great food-for-thought about civil wars, especially when you lived one elsewhere.

In a way I find this movie not your regular Eastern Europe cinema –even when has the particular style- and I believe that this film could reach wider audiences as comedy really eases watching the conflict and allows viewers to easily understand the director/writer vision. So, perhaps some of my known readers could give the film a try, as I know that you will not be disappointed with this interesting story and fantastic actors performances.

I definitively enjoyed the movie a lot more that I could imagine.

Enjoy!!!

Saturday, April 25, 2009

Wolke 9 (Cloud 9)


Not exactly what I was hoping for but when the drama starts it is truly amazing to see the transformation of the main character Inge played by Ursula Werner that goes from a nice 60ish peaceful and mischievous woman into a really tormented human being. Just for the transformation and excellent Werner’s performance the movie is more than worth watching.

This Andreas Dresen tells a story not often seen in movies as deals with romance between more than 60-years-old people and does it a very natural and frank way; so if you have never seen older people nudity be prepared as in this film you will in almost all the first half of the film. I mention this as we really are not use to see this type of nudity, much less performing sex and because I read many comments that mentioned nudity as the reason for not liking the film, which to me is ridiculous, but I understand that’s something that could happen to many.

The story is basically about a woman, Inge, that has a secure, routinely and emotionless marriage; after 30 years of being married to Werner she suddenly feels attracted to Karl and consummates her attraction. Unbearable guilt comes to Inge’s life and she ends up telling Werner about her affair. This is exactly when the story, Ursula Werner’s performance and the movie becomes very interesting to watch and if you endure what happens before you will be highly satisfied with the very realistic drama that follows.

Cinematography is quite raw in most of the interior takes and definitively contrasts with the beautiful outdoor takes; but also between the happy and the not so happy moments of the film, as the cinematographer and director use all available resources to increase viewers emotions when the drama pickups. Very seldom I see movies that use so wisely the few tech specs available –this is not a big budget production- to enhance viewers emotions and for this I do commend the director and cinematographer for their excellent work.

The movie premièred in 2008 Cannes at the Un Certain Regard section where won the Jury Coup de Coeur Award and if you browse the blog you will find the honors the film has collected since then. Special mention goes to the awards that Ursula Werner won for Best Actress, as she truly deserves them for her great performance.

Definitively not for all audiences as I believe viewers really need to open their mind to not often seen scenes, to older people romance and have to like at least European cinema. But, for some of my known readers I suggest to give a try to this film that definitively will give a happy glimpse into what could come when we all reach that age.

Last, the film is not what I hoped for because the story told before the drama exploded was a little slow and showed nothing special for me, as I believe is very similar to many other stories about women falling in love and being unfaithful.

Enjoy!!

9th Milan International Film Festival


The MIFF is quite an interesting festival because it has the format of many festivals, but their award ceremony follows the format of any awards show. This means that since before the fest starts, they have already listed all the nominees in each of the categories that will receive awards. This totally makes sense to me. The fest runs from May 11 to 19 in the famous Italian city. By the way, according to the site this fest has been nicknamed by the press as the “Milanese Sundance” and have to say that their awards are well, interesting; they give Leonardo Da Vinci’s Horse awards.

So let’s take a look at the nominees in the major categories.

Best Director
Erica Dunto for The 27 Club,
Damian Harris for Gardens of the Night
Derick Martini for Lymelife
Dror Reshef for Who Are You to Me
Jean-Marc Vervoort for Sur Le Mont Josaphat


Best Acting Performance Female
Grace Fulton in Badland
Noni Hazlehurst in Bitter and Twisted
Melissa Leo in Stephanie’s Image
Hila Meckier in Who Are You To Me
Renée Zellweger in My One and Only

Best Acting Performance Male
Joe Anderson in The 27 Club
Taner Birsel in Cars of the Revolution
Rory Culkin in Lymelife
Jamie Draven in Badland
Logan Lerman in My One and Only

If a movie has a nomination in any category automatically becomes a nominated film for the top award at the fest and here are some of the nominated films in the Best Film category.

The 27 Club, Erica Dunto, USA
When you're dead, you are gone. You exist only in the minds of those whom you've left behind. You become a fragment of a story, a beginning, middle, or an end. Tom is dead. Elliot has been left behind. Tom was the front man of the their successful band Finn. He died on his 27th birthday. They've spent their whole lives side by side. Elliot is left to decide if he, too, will join the 27 Club. Jimmy Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain also belong to this infamous club – they all died at 27. As Tom and Elliot's story is revealed, and the history of their life unfolds, it's clear that it takes more than just a number to determine one's fate.

Gardens of the Night, Damian Harris, USA
As an eight-year-old girl Leslie(Ryan Simpkins) was abducted through trickery by an older man, Alex (Tom Arnold), and his young accomplice Frank (Kevin Zegers). Leslie was held captive in their house along with an eight-year-old boy named Donnie ('Scooter' Smith). The children create a bond with each other managing to escape into a fantasy world they create in their bedroom. Years later Leslie and Donnie, now seventeen years old, are living as street-kids and struggling to cope with what they suffered through. Donnie's feelings for Leslie are those of any teenager in love, however Leslie's perception of love has been severely mutated through her relationship with Alex and her instinct is to run from Donnie.

Lymelife, Derick Martini, USA
Set in the late 70's, seen through the innocent eyes of a fifteen-year-old boy, Scott, 'Lymelife' is a unique take on the dangers of the American Dream. This funny, sad, violent and sometimes tragic look at first love, family dynamics and divorce weaves an intricate tapestry of American life during a time of drastic economic and emotional change.

Who Are You To Me, Dror Reshef, Israel
Anya, 25, is mentally handicapped but manages to lead an independent life. Since the sudden death of her parents she has been living alone, surrounded by her own silence, earning her living as a cleaning-lady inside an office building. One morning while Anya starts her working-shift, she meets Ari , 26, an unemployed guy who used to work as a start-up programmer at the building where she now cleans. Ari tries to snick into the guarded building. He wishes to confront his employer Naama, with whom he was in love. Naama had fired Ari after a long period of hospitalization due to his schizophrenic attacks. But Ari has no entry permit to the building. He desperately needs someone from 'inside' to let him in. In order to break Anya's fear to help him, Ari pretends to be her lover. When the rational manipulative plan becomes mixed with new real emotions, Anya comes up with the question: 'who are you to me?'

Sur Le Mont Josaphat, Jean-Marc Vervoot, Belgium
Alain Tiwili, young reporter working for a small Brussels local TV news channel is about the nervous breakdown. He is about to be fired because he made a too politically incorrect TV subject and his girlfriend threaten him to leave if he doesn't submit to a guru group therapy for couple crisis. Last but not least, his boss ask him to shoot a TV subject on the mysterious disappearing of pigeons in the Josaphat park.

My One and Only, Richard Loncraine, USA
When her husband Dan is caught cheating, Ann (Renee Zellweger) scoops up her son George and his brother Robbie, and the trio hits the road in a shiny new Cadillac convertible. They drive from city to city in search of stability, cash, and a new husband, not necessarily in that order. As George deals with the woes of new schools and his own budding sexuality, Ann gives her heart to each new suitor, only to find every one unsuitable indeed. They make their way out West, where a surprise encounter with a familiar face forces Ann to decide: is she really looking out for her sons’ futures, or just running from her own past?

Stephanie’s Image, Janis DeLucia Allen, USA
A former model, Stephanie, is found murdered in her San Francisco apartment. Her boyfriend, Richard, whose body is also found at the scene, apparently killed her and then committed suicide. A photographer who worked closely with Stephanie decides to make a documentary about her life, a kind of memorial. She interviews those people closest to Stephanie, but she soon discovers that almost everything she has been told about the crime is false, and everyone she interviews is lying. The circumstances surrounding Stephanie’s death become more and more mysterious and contradictory. As the filmmaker struggles for the truth through her interviews, she comes to realize that she may have played a strange part in what happened to her friend. This subtle drama, shot in a documentary style, features Melissa Leo (2009 Academy Award Best Actress Nominee for FROZEN RIVER), Janis DeLucia Allen and an ensemble cast.

The feature fiction film jury has too many members –how they will agree on something?- but includes well-known American actors like Sandra Oh, Robert Foster, and Martin Landau. Check the all jury members here.

To check the official announcement with all the nominees go here or here and check information for each movie. Somehow I find that this fest is too much American for my taste, but now I do understand the reason why for the nickname, as screens many independent American films. Still, is another interesting vehicle for indie films, isn’t?

12th Pink Apple Film Festival


Running from April 29 to May 6 in Zurich and from May 7 to 10 in Frauenfeld the fest will screen many LGBT films, most already known to the blog in the lesbian interest genre. Still if you live in or nearby Switzerland and want to check all the films please go here and if you want to browse their very good catalogue go here.

There is one unique opportunity that if I could attend the fest definitively I will not miss. I’m talking about the rare opportunity of watching in the big screen a film that I have not been able to watch in any screen, but I know it’s a must be seen for many, including me. So, what could be better than being able to watch Ulrike Ottinger’s 1989 Johanna d’Arc of Mongolia in the big screen, even if you have seen it in any other screen?

Also in the fest there are many lesbian interest shorts that seem to be must be seen for many; so if you enjoy shorts please take a look to the small blue square that identifies films with lesbian interest and yes, the pink square is for those films with gay interest. Have to say that’s simply great that fest organizers do an excellent job to clearly identify the interest of each film and many fests should follow their example.

2009 Cannes Shorts


I know that I don’t write here about short (or medium length) films, but I do watch many and often I find shorts that are excellent as are able to tell in a few minutes a complete compelling story with the most amazing production values, even when it’s clear that they didn’t had huge budgets. In a way with shorts is when filmmakers “learn” to be really creative in every sense of the word.

It’s impossible to list all the shorts that are in competition in the Cannes sections, but if you are interested in shorts I’m going to tell you the sections that have short and medium length films.

Official Selection

Update: To check the nine (9) Short films in the Official Competition please go to the bottom of the list that is here.

Cinéfondation

This is the competitive section of the Cannes Festival for films under 60 minutes. The official selection has not been posted yet at the site, but they have this year’s Jury and here it is.

John Boorman, President (Director/Writer/Producer – UK)
Bertrand Bonello (Director – France)
Ferid Boughedir (Director – Tunisia)
Leonor Silveira (Actress – Portugal)
Zhang Ziyi (Actress – China)

The jury will select winners from 15 to 20 short and medium length works from film schools all over the world and the films will be listed here soon.

Update: Today April 28th they announced the Official Selection with 17 short and medium length films; to check them go here.

Quinzaine des Réalisateurs

The 2009 Selection has 14 shorts that you can check here and when they post info about each feature film, they will also post info for each short.

Semaine de la Critique

Their selection also includes 7 shorts in competition and 7 shorts that are Special Screenings. This is the only section of the fest that has published info about all the films, including the short films and you can find the complete info here.

Since the presentation of this section talks more about shorts, I’m including here the video for those interested in watching.



Short Film Corner

A non-competitive “essential” rendez-vous for short filmmakers that is a professional area that works as a market. With shorts from allover the world this parallel section has a well-organized thematic program that you can check here.

Last year they had a competition from partner National Film Board of Canada that organized on www.onf.ca/cannes an online short film competition SPECIAL CANNES 2008. Ten short films were selected by Danny Lennon from all the registered shorts to the Short Film Corner. The online audience voted to determine their favorite short among the 10 finalists. The director of the winning short was granted a professional-quality DV-HD camera and a portable editing suite by the NFB. This year there is no information if this competition will happen again, but gives you an idea of the activities the section does that gives opportunity to a worldwide audience to see at least 10 shorts.

As long as I find more information about the shorts I’ll will update the post; especially if I find ways to watch some of them online.

Enjoy!

Friday, April 24, 2009

2009 Cannes Trailers


As requested here comes the post with Trailers for Cannes 2009

In Competition

Antichrist



박쥐 Bakjwi (Thirst)



Inglourious Basterds



Los Abrazos Rotos (Broken Embrances)



Looking for Eric



Taking Woodstock



Vengeance



Vincere



Scenes from Visage

41st Quinzaine des Réalisateurs Lineup


This year the always interesting parallel section of the Cannes fest will run from May 14 to 24 and as programmed today the Directors’ Fortnight announced their Official Selection and these are the 24 films in competition.

Opening Film: Tetro, Francis Ford Coppola, Argentina, Spain, and Italy, 2009 (with Carmen Maura…) IMDb Movie Scenes Movie Site
Fresh faced and naïve, 17-year-old Bennie arrives in Buenos Aires in search of his older brother who has been missing for more than a decade, and had sworn never to see any of his family again. The family of Italian immigrants settled in Argentina, but with the great musical success of their domineering father Carlo, an acclaimed symphony conductor, moved to New York. When Bennie finds his brother, the brilliant but melancholy writer 'Tetro,' he is not welcomed with open arms.

*Closing Film: Ajami, Scandar Copti and Yaron Shani, Israel and Germany, 2009 allocine
Jaffa's Ajami neighborhood is a melting pot of cultures and conflicting views among Jews, Muslims and Christians. Sensitive 13-year-old Nasri and his older brother Omar live in fear when their entire family is in danger after their uncle foolishly wounds a prominent clan member. Naive young Palestinian refugee Malek works illegally in Israel to help finance the surgery that will save his mother's life. Affluent Palestinian Binj dreams of a bright future with his Jewish girlfriend. Jewish policeman Dando becomes obsessed with revenge when his brother is found dead in the West Bank...

Amreeka, Cherien Dabis, USA, Canada and Kuwait, 2009 IMDb Movie Site
Mouna, a divorcee with a teenage son, is an enthusiastic and optimistic Palestinian woman. Deep in the occupied territories, however, daily life is an ordeal. But then one day, she has the chance to leave this life and work in the United States - a stranger in her own land, Mouna can just as well be the same elsewhere. So she leaves with her son Fadi to join her sister living in Illinois. After the comfort of reunion, Mouna and Fadi now must find their place in this "Amreeka" they've dreamed of. But the United States, which has gone to war with the "devil" Saddam, has a strange sense of hospitality.

*Les Beaux Gosses, Riad Sattouf, France, 2009 (with Irene Jacob, Emmanuelle Devos, Valeria Golino) IMDb Movie Info
14-year-old Hervé is an average teenager who lives alone with his mother and struggles to cope with his urges, unprepossessing physique and mediocre intellect. He just gets by at school, surrounded as he is by his best buddies. Going out with girls is his major preoccupation. Sadly, in this field, he keeps striking out. But he never says die. One day, without really knowing how, he finds himself in the good books of Aurore, one of the prettiest girls in class. Surrounded by a gallery of saucy, wild characters, Hervé tries to grow up in this little world in perpetual movement, this world of adolescence in which emotions must be dominated.

Carcasses, Denis Côté, Canada, 2009 (filmed at St-Amable- must be seen!)
For more than 40 years now, Jean-Paul Colmor has collecting hundreds of automobile carcasses on his lot. More than just recycling and selling car parts, Colmor has created an unthinkable site, full of memories. Every day he visits his lot, carts scrap iron, inventories his parts and other rusting gems. His little house is no less strange: a kind of shelter where one can make out the kitchen, bathroom and bedroom in the jumble. One day, others arrive, eager to share some of Jean-Paul's solitude and eccentric fringe existence.

*Daniel y Ana, Michel Franco, México, 2009 IMDb Producers Site
Daniel and Ana, brother and sister, best friends. Both are at pivotal, defining moments in their contented lives. Ana is about to be married; Daniel is a gregarious teenager discovering his personal and sexual identity. Yet their harmony is instantly shattered when they are kidnapped and something shocking happens which forces them to confront their desires and fears. Suddenly their old lives are a distant memory. Now, nothing they have known will ever be the same again.

De helaasheid der dingen (La Merditude des Choses), Felix Van Groeningen, Belgium, 2009 (this movie is listed in the press release but not listed at their site, so I’ll be checking to find if is or not in competition – but I just love the title in French!) IMDb Movie Site Trailer
Gunther Strobbe, 13, share's his grandmother's roof with his father and three uncles. Daily, Gunther is steeped in ambiance of frenzied binges, shameless womanizing and unending bumming around... Gunther looks likely to suffer the same fate. Unless he can find a way to get the hell out of there.

*Eastern Plays, Kamen Kalev, Bulgary and Sweden, 2009 Movie Info
Two brothers who've lost all contact are suddenly brought together when they have opposite roles in a racist beating: while Georgi who's recently joined a neonazi group participates in the violence, Itzo witnesses and rescues the Turkish family.
Georgi, now being asked to participate in larger events, starts to question his implication in the movement and Itzo wonders if the beautiful Turkish girl he saved could be his ticket out from his sad life in Sofia. Only by reuniting will the two brothers be able to assess what they really want from life.

*La Famille Wolberg, Axelle Ropert, France, 2009 IMDb cineuropa allocine Movie Info
He can deliver a breathtaking speech on the American soul to flabbergasted schoolboys, get mixed up in the private lives of his citizens, and even get his 18-year-old daughter to swear that never, but never, would she leave home. Meet Simon Wolberg, mayor of a small provincial city, madly in love with his wife, an interfering father and provocative son. This man is driven by an obsession with his family. Which leads him to test the force and fragility of these bonds.

Go Get Some Rosemary, Benny and Josh Safdie, USA, 2009 allocine
After months of being alone, sad, busy, sidetracked, free, lofty, late and away from his kids, Lenny, 34 with graying frazzled hair, picks his kids up from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny juggles his kids and everything else all within a midtown studio apartment in New York City. He ultimately faces the choice of being their father or their friend all with the idea that these two weeks must last 6 months. In these two weeks, a trip upstate, visitors from strange lands, a mother, a girlfriend, "magic" blankets, and complete lawlessness seem to take over their lives. The film is a swan song to excuses and responsibilities; to fatherhood and self-created experiences, and to what it's like to be truly torn between being a child and being an adult.

*Here, Tzu-Nyen Ho, Singapore and Canada, 2009 allocine Movie Site Trailer
Here follows the journey of He Zhiyuan, a middle-aged man who struggles to make sense of his reality. Reeling from the sudden death of his wife, he loses the will to speak and is interned at Island Hospital. There, he meets strident kleptomaniac Beatrice with whom he forms an inexplicable bond. As He adjusts to life within, he is selected for an experimental treatment, which forces him to confront the devastating truth behind his past, present, and future. Meanwhile, a filmmaker visits Island Hospital to document the lives of the staff and patients.

Humpday, Lynn Shelton, USA, 2009 (is beyond gay???) IMDb Movie Site
It's been a decade since Ben and Andrew were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe. After a night of perfunctory carousing, the two find themselves locked in a mutual dare: to enter an amateur porn contest. But what kind of boundary-breaking porn can two dudes make? After the booze and "big talk" run out, only one idea remains - they will have sex together... on camera. It's not gay; it's beyond gay. It's not porn; it's an art project. But how will it work? And more importantly, who will tell Anna, Ben's wife?

*I Love You Philip Morris, Glen Ficarra and John Requa, USA, 2008 (total gay interest with an interesting cast like Ewan McGregor, Rodrigo Santoro and Jim Carrey… I’ve been avoiding this film but perhaps now I’ll give it a try, as seems is “too risqué” for American audiences, which only means that there is a chance that I’ll like it) IMDb
The true story of an ex-cop, ex-husband, ex-insurance swindler, ex-model prisoner and eternal lover of cellmate Philip Morris. Steven Russell will do anything to avoid being separated from the man of his dreams. Which means not rotting away in prison. How far can one go for love? Quite far if you believe the incredible story of Steven Russell, an escape artist whose romanticism gets the better of him.

*J’ai tué ma mère, Xavier Dolan, Canada, 2009 (from a 19 years old actor turned director that wrote the script when he was 17… have to see his film - is gay interest) Wiki
Hubert Minel doesn't love his mother. The 16-year-old haughtily regards her with contempt, and only sees her tacky sweaters, kitsch decorations and the breadcrumbs that get stuck on the corner of her lips when she munches. In addition to these irritating surface details, there is also his parent's cherished mechanisms of manipulation and guilt. Confused by this love/hate relationship that obsesses him more and more each day, Hubert drifts through the mysteries of an adolescence both marginal and typical - artistic discoveries, illicit experiences, the opening-up to friendship, sex and ostracism.

Jal Aljido Motamyunseo (Like You Know It All), Hong Sangsoo, South Korea, 2009 IMDb allocine
Not rich, nor famous, Ku Kyung-nam is stick with the label of an 'art-house film director'. When he attends the festival in a small town as a jury, he bumps into an old friend Bu, who has settled in the town. Over drinks Ku is dragged to Bu's house and meets his wife who claims to know all about his films. The next day after a long night of heavy drinking, Ku returns his hotel and find a message from Bu which says "never to come near us again". But he can't remember what happened last night...

*Karaoke, Chan Fui Chong, Malaysia, 2008 allocine
Set in a village estate of a Malaysian palm oil plantation - Betik returns home.During the day, Betik helps shoot karaoke videos, while at night; he lends a hand to his reluctant mother at the family's karaoke joint. This is the place where he falls for Anisah. A job, a love and a family. His return home comes together quickly. But life isn’t so innocent. Everybody wants something. Subtle manipulations driven by self interest and personal desires seep through yet the songs continue to be sung. Unwavering. The home has changed. The palm oil trees have grown in endless symmetry. The landscape rusts and the nostalgia turns.

Navidad, Sebastián Lelio, Chile and France, 2009 (Could this movie have some lesbian interest? - maybe...) IMDb Info Movie Info
It is Christmas Eve in Santiago de Chile. Three teenagers with different problems at home end up spending the holiday together. Alejandro is 17 and comes from a working class family. He is Aurora's boyfriend, an upper class 18 years old girl as beautiful as she is confused. That day, he decided to join her in the search of objects and mementoes from her dead father's house before it is occupied by the new owners. In this place, at the foot of the Andean mountains in the outskirts of Santiago, the crisis they are living as a couple explodes. When the situation seems to reach a dead end something unexpected occurs: they find an intruder in the house. A vulnerable girl, Alicia is only 16. She had run away and sought refuge in the abandoned house of Aurora's father. During the process of taking care of her, they gradually find an exit to their own impasse. Alejandro and Aurora start to feel a growing fascination for the enigmatic Alicia, who increasingly becomes the personification of their desire. It is a night of initiation and loss of innocence after which they will begin to take the control of their own lives.

Ne Change Rien, Pedro Costa, Portugal and France, 2009 (seems this is the feature film from his honored short, but I’m not sure) allocine Director Site
Ne change rien began as part of a friendship between actress Jeanne Balibar, sound engineer Philippe Morel and Pedro Costa. Jeanne Balibar, singer, from rehearsals to recording sessions, from rock concerts to classical singing classes, from an attic in Sainte-Marie-aux-Mines to the stage of a Tokyo café, from Johnny Guitar to Offenbach's La Périchole.

Oxhide II (Niu Pi Er), Liu Jiayin, China, 2009 (wow I want to see Oxhide I with 23 static interior shots! She has to be a very interesting director) allocine Movie Info
A table; A dinner of dumplings; A family of three members; Nine steady scenes which were shot around the table, between every scene there was 45 degree; 132 minutes of real time. That is everything about Oxhide Ⅱ. Just like Oxhide, the director and her parents played the three members of the family again. There is no fourth person in the shooting scene, except the cats.

La Pivellina, Tizza Covi and Rainer Frimmel, Austria and Italy, 2009 Movie Info
Abandoned in a park, the two-year-old girl Asia is found by Patti, a circus woman living with her husband Walter in a trailer park in San Basilio on the outskirts of Rome. With the help of Tairo, a teenager who lives with his grandma in an adjacent container, Patti starts to search for the girl's mother and gives the girl a new home for an uncertain period of time.

Polytechnique, Denis Villeneuve, Canada, 2008 IMDb
Based on the true story events that occurred on December 6, 1989, at the Montreal's Polytechnique School, the movie tells us about that specific day through the eyes of two students, Valérie and Jean-François. Their life has been changed forever, when a young man entered the school with one idea in mind: kill himself and take with him as many women as possible.

Le Roi de l’Evasion, Alain Guiraudie, France (gay interest?) IMDb allocine Movie Info
Armand Lacourtade, a 43-year- old farm equipment salesman, can no longer bear his homosexual bachelorhood. When he meets Curly, a plucky teenage girl, he changes orientations. With everyone pursuing them, they defy dangers of all kinds to live their forbidden love. They make for a strange pair. But it this what Armand dreamed of?

La Terre de la Folie (Land of Madness), Luc Moullet, France allocine
A native of the Southern Alps, Luc Moullet took note of the fact that cases of mental illness were particularly numerous in the region. Murder, dismemberment, suicide, immolation among his family, friends and the various "criminal affairs" of the last 100 years. Moullet studied the causes and consequences of these local psychic phenomena. "The great-grand-nephew of the great-grandfather of my great-great-grandmother one day took a pickax to the village mayor, his wife and the forester, who was guilty of having moved his goat 10 yards. It provided a good starting point...There were other manifestations of the same kind in the family."

Yuki & Nina, Nobuhiro Suwa and Hippolyte Girardot, France and Japan, 2008 (interesting plot) allocine Pic & Synopsis
Yuki, 9 ans, apprend que ses parents se séparent. Le père de Yuki est français, sa mère japonaise. Elle devra suivre sa mère au Japon et tout laisser à Paris, à commencer par sa meilleure amie, Nina. Ensemble, elles inventent des stratagèmes destinés à provoquer la réconciliation des parents. Finalement, la fugue leur semble être la seule issue, et la forêt leur nouvelle destination.

*Films competing for the Camera d’Or Prize (1st films)

Special Screening: Montparnasse, Mikhaël Hers, France (This is a medium-lenght film -58 minutes- a psychological drama)

To check the official press release that includes the short films in competition please go here.

The official information about each film (including shorts) is up at their site, if you want to check it please go here.

28th International Istanbul Film Festival Award Winners


From April 4 to 19 the fest will run in Turkey and here are the films in the International Competition.

Rumba, Dominique Abel, Fiona Gordon and Bruno Romy, France and Belgium, 2008 (I’ll try to see it)
An extremely stylized, unusual, colorful, joyful, at the same time funny and melancholic invitation to dance; a Tatiesque film with minimal dialogue that captures the spirit of the burlesque actors of the silent era. Played by the directors themselves, the main characters Fiona and Dom are teachers in the idyllic countryside. They are in love with each other as they are with Latin dancing. They even have lots of trophies that they won. One night, as they are returning from a competition, they try to avoid a failed suicide victim in the middle of the road. Their car hits a wall and their life is turned upside down.

L’Heure d’Ete (Summer Hours), Olivier Assayas, France, 2008

Le Plasir de Chanter (The Joy of Singing), Ilan Duran Cohen, France, 2008
What could bring a bigger joy than singing? The characters of this mystery crime drama are all in search of the ultimate joy, and they all take singing lessons from the same tutor, Eve… One of Eve's students is the naïve Constance, a recent widow whose husband is brutally murdered by people after a uranium secret. Among Eve's students also are Muriel and Philippe from the French intelligence, the handsome Julien who is into both guys and girls, and Eve's son. Who is genuine with their emotions, and who is undercover? The director of The Confusion of Genders weaves a delectable web of dark comedy, sex secrets, a USB stick, the joy of singing, and perhaps love.

A Film With Me In It, Ian Fitzgibbon, Ireland, 2008
"A blacker-than-black comedy with a wickedly sharp sense of humour," according to Todd Brown at Twitch, A Film With Me In It tells the morbidly delightful account of a hapless actor named Mark (Mark Doherty, also the film's screenwriter) who is struggling to make it through a day from hell, and his neighbour and best friend Pearce, a penniless, clueless, aspiring screenwriter. Mark gets home to his disabled brother (his real life brother David), unhappy girlfriend and big dog after failing an audition to discover that they haven't paid the rent for three months. Even when his girlfriend leaves him, tragedy has not hit yet, the dreadful (deadful) day has just begun. Winner of Special Jury Prize.

Zift, Javor Gardev, Bulgaria, 2008 (yeah, “dying” to see it… if only I could understand Bulgarian and Turkish)
Bulgaria's Oscar submission, and taking its name from the Bulgarian slang for the word "shit", Zift is a crime film made in the spirit of film noir, though focusing on a criminal instead of a private detective battling criminals. The Moth is released from prison after 20 years to find himself in a new and alien world: the cold atmosphere of communist Sofia of the 60s. During the one day the film unfolds, Moth tries to make amends with his past, but is tortured, chased and forced to listen to many strange stories by agents, medics, barflies, outcasts, gravediggers…

Disgrace, Steve Jacobs, Australia and South Africa, 2008
Adapted from Nobel-prize winner J.M. Coetzee's 1999 novel that presents an unflinching look at the consequences of the intense change South Africa goes through, Disgrace is the story of a South African university professor who loses everything, his reputation, his job, his peace of mind, dreams and even his daughter's well-being and safety. Professor David Lurie's life falls apart after he has an affair with one of her students, and thus has to resign from Cape Town University. He escapes to his daughter's farm where he finds some peace, but it's a dangerous world and soon they are victims of a vicious attack. With John Malkovich… hmm…

Milk, Semih Kaplanoğlu, Turkey, France and Germany, 2008 (A Must Be Seen for me)
Vying for the Golden Lion at Venice in August 2008, Milk is the second instalment of Kaplanoğlu's "Yusuf trilogy" that started with Yumurta (Egg) which won the Golden Tulip at Istanbul Film Festival in 2008, and that will be completed with Honey. Recent high school graduate Yusuf is passionate about writing poetry, and some of his poems are published in some obscure literary journals. But for the time being, he continues working in his mother Zehra's countryside milk business, also with an uncertain future. When Yusuf learns about his mother's discreet affair with the town station master, he gets even more anxious about making the sudden jump toward manhood. Will young Yusuf be able to handle the changes in his peaceful existence? Winner of the FIPRESCI Award and the Audience Award.

Poltory Komnaty Ili Sentimentalnoe Puteshestvie Na Rodinu (Room and a Half), Andrey Khrzhanovsky, Russia, 2009 (Another Russian Andrei director, hmm…)
A unique assembly: the early life of great Russian poet, Nobel laureate Joseph Brodsky told by great filmmaker, animator and documentarist Andrei Khrzhanovsky. "A magical, wildly creative fantasia," according to Variety, the film premiered at Rotterdam Film Festival in January and welds fiction, archival footage, animation and stills. Brodsky was exiled from Russia to the USA in 1972, never visiting his motherland again. Khrzhanovsky imagines Brodsky returning home, anonymously, and we return to the USSR of the 50s and early 60s, soaking up the atmosphere of the "European" city of St. Petersburg.

Tony Manero , Pablo Larrain, Chile and Brazil, 2008 Winner of the Golden Tulip.

Forasters (Foreigners), Ventura Pons, Spain, 2008 (could be...)
The most acclaimed Catalan filmmaker Ventura Pons' latest work is his third adaptation from Sergi Belbel's plays, the first two being his debut Caresses and To Die (or Not). Foreigners tells the story of a family that goes through two traumatic events: the loss of a family member, and forty years later, the arrival of new neighbours. Two events that disrupt the family's alleged harmony, their social setting, their fragile family ties… This is the passage of time, the meaning of existence, the fear and distrust of the unknown, the outsider, the foreigner… The foreigners are ourselves.

De Usynlige (Troubled Water), Erik Poppe, Norway and Sweden, 2008
2008 Haugesund (Norway) Honourable Mention; Prize of the Ecumenical Jury and 2008 Hamptons Audience Award; The Golden Starfish-Best Narrative Feature
The director of Hawaii, Oslo and Schpaa returns four years later with another impressive drama about morality and forgiveness. Jan Thomas is released from prison after having served eight years. Being a divinely gifted organist, he gets a deputyship in a church. He decides not to tell her about his past to Anna, the priest, but then Agnes comes to the church. She recognizes the organist as the young boy who was convicted of the murder of her son.

$9.99, Tatia Rosenthal, Israel and Australia, 2008 (yeah, “dying” to see it)
"Have you ever wondered what is the meaning of life? Why do we exist? The answers are in this small yet amazing booklet! And for a mere $9.99!" This is the ad that alters the life of the unemployed Dave who still lives with his father. When his questions are answered, he wants to share everything he knows, so his surreal path crosses with his unusual neighbours: an old man and his disgruntled guardian angel, a magician in debt, a little boy who sets his piggy bank free… This superb comedy about the post-modern meaning of life and happiness is a stop-motion animation film based on the short stories of Etgar Keret, who had co-directed Jellyfish in 2007

Athina-Konstadinoupoli (Athens-Istanbul), Nikos Panayotopoulos, Greece, 2008
This is a road movie that starts in a traffic jam and as its title suggests, it begins in Athens, ending in İstanbul, following a depressed lawyer, who, after his recent divorce, sets off a journey in his car to visit his sick father in Thessaloniki, but ends up, after many stops and detours in İstanbul. His trip is more of a runaway along which he meets a young wandering lady, realises his middle-age crisis, questioning life, death, sex, money and identity. "There's no border in the other world because you don't need borders when you can't move!"

Out of Competition

Easy Virtue , Stephan Elliot, UK, 2008
Appaloosa, Ed Harris, USA, 2008 (could be…but it’s a western!)
Ed Harris, the co-writer, producer and director of this traditionalist western with contemporary references, also stars alongside Viggo Mortensen as the freelance lawman Marshall Virgil Cole who is hired with his deputy Everett Hitch to defend the lawless western town of Appaloosa from the murderous evil rancher Randall and his gang. Virgil and Everett have been friends for many years, and they have been through a lot together. But their efforts are disrupted and friendship tested by the arrival of a refined woman from the city: "a widow, not a whore", who is there to play the piano. A standoff is inevitable between the rancher and the lawmen.

Opening film: Welcome, Philippe Lioret, France, 2009
A modern age Romeo-Juliet story with the English Channel between the lovers, who are both played by Turkish actors. Bilal, a Kurdish boy from Mosul, has travelled for three months to join his girlfriend, Mina in London. But he is stopped on the French side of the Channel. Having decided to swim across, Bilal goes to the local swimming pool to train where he meets Simon, a swimming instructor. To impress his wife, Simon decides to risk everything by taking Bilal under his wing.

Closing film: Okuribito (Departures), Yojiro Takita, Japan, 2008 (Obviously totally “dying” to watch it…)
2009 Oscar Best Foreign Language Film; 2009 Palm Spring Audience Award; 2009 Japan Academy Best Film; Best Director; Best Actor; Best Supporting Actor; Best Supporting Actress; Best Cinematography; Best Editing; 2008 Montréal Grand Prix
Oscar Winner for Best Foreign Language Film, Departures also won Best Film accolades at Palm Springs and Montréal. A delightful and sensitive journey into the heartland of Japan and an astonishingly beautiful look at a sacred part of Japan's cultural heritage, the film follows cellist Daigo who moves back into his hometown after his symphony orchestra disbands. He reluctantly accepts a very traditional job with Sasaki at "Departures": encoffination of corpses. His life now takes an unexpected turn as he profoundly follows tradition as a husband, as a human being and as a "coffiner".

I suggest checking the films in the Turkish Cinema 2008 National Competition as there are many (too many!!!) that definitively could be must be seen. Also check the films in the Human Rights in Cinema competition with great films. To browse the fest site go here.

This is definitively one very interesting fest with excellent movies!!! To check all the winners including those in the National Competition go here.