2017/2018 Key Dates
Film Critics: Today, December 18, winners from Rolling Stone magazine, PhoenixCC, UtahFCA, Kansas CityFCC and St. LouisFCA. Nominations from VancouverFCC.

Thursday, May 20, 2010

Day 9 Cannes News


Sorry about yesterday but today is a better day for Cannes and for me.

Today @ Cannes

Official Competition: Today Doug Liman’s Fair Game, please read below in Serious Nots what I think about this film. Also Daniele Luchetti’s La Nostra Vita (Our Life) and the last film to enter the competition Route Irish by Ken Loach that is a must be seen film for me even when early British critics’ reviews are not on the positive side.

Out of Competition: Yesterday the last film in this program was screened. I imagine that many of you have not much idea who Carlos is, but I do and hopefully I will be able to watch the 5 hours 33 minutes TV miniseries and not the 2 ½ movie version. Yes, I’m curious about this portrait of the so-called Jackal that has broken a no-no in Cannes when screening in such prominent way a TV program.

Un Certain Regard: Today a film that has stimulated my total curiosity, Rebecca H. (Return to the Dogs) by Lodge Kerrigan and I really hope that does not disappoint me when I’m able to watch it. Also Simon Werner A Disparu… (Lights Out) by Fabrice Gobert that French critics say "starts like an American film" but 'fast' becomes more" (lol!).

Cinefondation: Today Programme 2 and 3 with six short films. Tomorrow we will learn the award winners.

Cannes Classics: Yesterday they had the only Lecon de Cinema of the fest (?!?!) with Marco Bellocchio, plus had one movie that would like to watch the restored version, John Huston’s 1951 classic, The African Queen.

Today a film that I wonder if I wish to revisit as really shocked me when I first saw it and prefers to keep that souvenir than erase it today, restored version of Psycho by Alfred Hitchcock. Also, Roberto Rossellini’s 1941 short film, Il Ruscello di Ripasottile and 1973 Titash Ekti Nadir Naam (A River Called Titash) by Ritwik Ghatak. But the one I have to watch is Men Filmen Ar Min Alskarinna (But Film Is My Mistress) the documentary by Stig Bjorkman about Ingmar Bergman.

With these films the program closes today, but I hope that excellent DVD labels like Criterion will be able to hopefully soon release some of these restored versions, so we cinema lovers can enjoy those films again.

Cinema de la Plage: Today Roy Rowland’s 1963 The Girl Hunters.

Quinzaine: Yesterday they had one film that seems visually very interesting, Todos Vos Sodes Capitan’s by Oliver Laxe, plus one of the few with a female director, Alicia Duffy’s All Good Children and last the Rolling Stones documentary, Stones in Exile by Stephen Kijak.

Today one gay interest film that calls my attention beyond the genre, Picco by Philip Koch. Also Boxing Gym by Frederick Wiseman, plus the first (of two) screening of short films.

Wish to remind you that this section is non-competitive, still some awards are handled every year, like Label Europa Cinemas, Art Cinema Award and Prix SACD for feature films and Prix SFR for short films.

Semaine de la Critique: Today is the last day of this parallel section and will screen films that are an invitation to Mexican Festival de Morelia, Revolución by many great Mexican directors, especially Carlos Reygadas!!! (for sure will watch it in MUBI as I’m simply dying to watch Reygadas work); also the short film Señora Pajaro by Veronique Decroux and Julio Barcenas.

At 8:00pm Cannes local time the Award Ceremony will start with the screening of the two ‘unexpected’ short films Bastard by Kirsten Dunst and The Clerk’s Tale by James Franco. About 20 mins later the award ceremony will start and will follow it live at the section facebook site, so expect news as they happen. Additional collateral awards will be announced tomorrow evening.

Serious Notes

I’m watching the Fair Game press conference and if you are like me that wasn’t that much interested in an American film about a recent known story, I suggest you watch it as my impression changed dramatically. Yes, now I’m very interested in watching this film that –according to what they say- does not tell a ‘political’ story but a –sort of universal- story about first an incredible working woman and second about her colorful husband. My expectations have risen but I still remember that the director did a terrible film, Mr. & Mrs. Smith… which by the way was the last question!!! (lol!). His answer is acceptable and probably spoke truth.

Talking about the film and miniseries Carlos, some of you have to be interested in learning that in USA, IFC will release the 2 ½ film version and even before its theatrical release, Sundance channel will air the complete miniseries. Also Telluride and New York Film Festival have the film in this year’s program. By the way, American critics write very positive reviews (including the ones I read)… my question: should I worry? Nah, I’ll watch it anyway… even if really is similar to those action movies they mention, like The Bourne Identity (but they say “with more substance”). (lol!)

IFC also got the rights for North America of Xavier Dolan’s Les Amours Imaginaries; the film will be released on theaters and VOD.

As always Un Certain Regard Official Selection will be screened at Paris from May 26th to June 1st and if you’re interested check the schedule here.

The last (has to be) film to join the selection yesterday, Making Fuck Off is a documentary by Fred Poulet who followed the filming of Mammuth by Benoit Delepine and Gustave Kervern and starring Gerard Depardieu, Isabelle Adjani, Yolande Moreau and Anna Mouglalis. The documentary seems very interesting, as well as the film that was at the last Berlinale!

In the eve of the fest coming to an end this weekend I have to say that my spontaneous reaction to this year’s films is that they are not like last year at all. We know that’s hard to really ‘know’ if you’re going to like or not a film before watching, but at least you can feel curious about the latest job of a particular director, about a performance, a story and/or visual imagery. I really hope I’m absolutely wrong and many films from all the programs do ‘surprise’ me when I’m able to watch them, as we all know that the Cannes Selection ‘seal’ is not given freely to any film and let’s hope that this year is not the exception.

I strongly suggest to my photographer friend to check information about JR’s very interesting and complete project. The film Women are Heroes documents his work, but the scope of the project is wider than one film. Check all about the exhibition of this photographer that specializes in “illegal pasting”. Very interesting as a photography exhibition. The film has to be hard-to-watch with women telling their stories, but I’ll will watch.

The Not so Serious Notes

Vanessa Paradis will be at the red carpet during the weekend (probably the closing ceremony) I really hope Johnny Depp is with her (lol!).

The Irreverent News

If you’re into watching -for fun- the Worst Dresses at the fest, take a look at Canal+ slideshow here some are truly horrible! (like the one with an ‘eye’, lol!).




Recently a film that I didn't paid much attention was screened, Derek Cianfrance's Blue Valentine. Today I found many positive reviews by French critics and press writers. My surprise is that Michelle Williams not only plays the lead but also is a producer. Yes, now I'm interested in this film and to feel better here is today's photo with very nice-looking Michelle walking the Cannes streets.



I imagine that many of you know that if you click the picture you will see it larger (size is small so page loads faster), but in case some of you don't, I'm telling you.

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