Saturday, April 13, 2013
As next Thursday April 18 we will learn the Cannes Official Selection let me share with you all my wish list with films that hopefully will make any section of the festival but IF they don't still believe that most films will be must be seen.
Le Passe (The Past) by Asghar Farhadi.
Know director became famous for his Oscar winner film but I follow him closely since his 2006 Fireworks Wednesday and this is must be seen for me for him and because Tahar Rahim is the lead. Let's hope Bérénice Bejo acts better here than in her other films, sigh.
La Grande Bellezza (The Great Beauty) by Paolo Sorrentino.
Absolutely must be seen for me as teaser has such beautiful images of Rome on top the star is none other than Toni Sevillo. (Photo)
Nymphomaniac by Lars Von Trier.
Soon we will know if director deeply tarnished his relationship with the festival or not. If film is not in Cannes then surely will be in Venice. Who can resist Charlotte Gainsbourg performing a self-diagnosed nymphomaniac? Not me.
Malavita by Luc Besson.
Female Master Directors
Abus de faiblesse (Abuse of Weakness) by Catherine Breillat.
The star is none other than Isabelle Huppert so we know that the story has to be intense and perhaps much more as Breillat adapted her novel -with the same name- about her true personal experience with professional conman Christophe Rocancourt.
Les Salauds (The Bastards) by Claire Denis.
With Chiara Mastroianni and Vincent Lindon. Not crazy about director but this revenge drama seems could be interesting. (Photo)
Serena by Susanne Bier.
The great Danish director took a break from her amazing dramas to direct light Love is All You Need; now she plays again with the English language to tell a very American story. The catch is that the leads are none other than Jennifer Lawrence and Bradley Cooper; but has great British actors too.
Bird People by Pascale Ferran.
Nude Area by Urszula Antoniak.
Wakolda by Lucia Puenzo.
Great Filmmakers ("walking" to become Masters)
Le Bleu est une couleur chaude (Blue is the Earmest Color) by Abdellatif Kechiche.
Really enjoy his movies and more if the star is none other than Léa Seydoux and has a story that seems will have lesbian interest (!!!). (Photo)
A Most Wanted Man by Anton Corbijn.
Images suggest that Corbijn kept his peculiar fabulous style in this adaptation of John le Carre's espionage thriller starring none other than Philip Seymour Hoffman.
Only God Forgives by Nicolas Winding Refn.
Trailer impressed me but I was more impressed by Kristin Scott Thomas as hardly recognized her. Director regular Ryan Goslin (recall Drive?) is also here in a film that I suspect will be even more violent than Drive.
Twelve Years a Slave by Steve McQueen.
McQueen's regular, great Michael Fassbender stars in this very American slavery story that know will have director impressive style (has to). My only concern is that Brad Pitt also stars in film. Still, European buzz wonder if film will be ready for Cannes.
Tom à la ferme (Tom at the Farm) by Xavier Dolan.
Cannes "enfant not-so-terrible" maybe will make his dream come true this year IF his latest film finally makes the Official Selection; but no matter where it lands, film has to be his most drama intensive when he tells about a grieven man meeting his lover's family, who were not aware of this son's sexual orientation. The best, Dolan also acts (I enjoy his performances). If film makes Cannes be sure that film will compete for a Teddy. Just read that "maybe" film will NOT be in Cannes, shame.
Jeune et jolie by François Ozon.
Like Father, Like Son by Hirokazu Kore-Eda.
Nine Minutes Interval by Corneliu Porumboiu.
Blood Ties by Guillaume Canet.
Yes he is directing his first English language film and is a remake of Les Liens du Sang where he was the main actor. Perhaps the only good thing film has is his wife acting in film.
The Buttler by Lee Daniels.
After being highly impressed with the Paperboy this tale about a butler who served eight different American Presidents at the White House could be better than what I imagined before seeing the Paperboy; so the great cast (John Cusack, Vanessa Redgrave, Alan Rickman, etc) could make this movie (hopefully) good.
The Congress by Ari Folman.
Highly impressed with his Waltz with Bashir but as some do Folman went to America to do an English movie with American stars and Sci-Fi genre. Still story (an aging, out-of-work actress accepts one last job...) could be interesting specially when Robin Wright plays a version of herself who travels to the future. The Great news, film is a blend of live action (70 mins) and animation (50 mins) that looks/feels like his previous film.
The list could grow exponentially but let's stop here as we only have to wait 5 days to learn which film made the Official Selection plus the selection in the parallel sections and beyond. Can't wait for Cannes and know you can tell.