Monday, January 16, 2012

Terraferma


Seems like Emanuele Crialese has a special touch to tell stories about immigration as in Nouvomondo (Golden Door) tells about Italian immigration to America, while here tells about immigration from Africa to Italy. In a way makes me think about Sicilians that left Italy for a better life and nowadays Sicilians not able to deal with those who are looking for a better life in Italy. Yes, not an easy to tell story that is told remarkably well, without sentimentalism and a high dose of realism.

If story is strong, many visuals are breathtaking sea and island views with high production values that make ride quite interesting as starts slowly being contemplative of sedentary island life until tourists arrive and island plus story become alive to reach an intense climax that will make you feel several contradictory feelings. There are two scenes that will stay a long time in my mind, the full of tourist boat dancing to Maracaibo’s rhythm with the underwater take when they jump into the sea and the distant white shadow in a very dark night that advances and advances. Both are superb.

Film is the winner of the 2011 Venice fest Pasinetti Award, Special Jury Prize, and UNICEF award plus is Italy’s submission to Oscar great honors that are well-deserved as Crialese is one of the now not many Italian directors that successfully tell complicated stories with spectacular visual narrative –magical and realistic- and compelling storytelling that touches viewers deep inside.

It’s a great movie that everyone that loves excellent European cinema should see to visually enjoy, to think about illegal immigration in its many forms that surrounds us almost all over the world, and to question your own boundaries when it comes to save a life or not.

Big Enjoy!!!

Watch trailer @MOC

2 comments

On January 17, Storyteller said...
Hey Luca, yes I do like Crialese films from Respiro up to Terraferma as he has a particular style that I enjoy quite a lot. Loved Habemus Papam but then I do love the directorial (acting too) work of Nanni Moretti. I'm "dying" to see Corpo Celeste and hope soon can watch it.

American Academy and foreign language films are still not-easy to understand (lol! - trying to be polite). Changed rules and still nominees choosing criteria is a very complex puzzle to decipher or guess if you wish.

As mentioned in Turkey's submission review I was sure will not be nominated; but I'm not that sure when comes to Italy's submission as "surprises" could and will happen in this category.

Only one film I'm SURE will be nominated (and probably will win) Iran's A Separation.

In a few hours we will learn the shortlist of 9 and let's hope that Italy is in it; one step at a time... thanks for visiting. :)

On January 17, Luca Fontò said...
I'm italian, not sicilian, but I see the sea from my window; I know that "Terraferma" will not be nominated as the foreign-language film but I'm so happy that you enjoyed watching it (Italy chose 9 films before the final "Terraferma" and I hoped in "Habemus Papam" or "Corpo Celeste" - you MUST see this one).
After 13 Oscars and special prizes for the foreign film, I don't know what's happening between italian cinema and the Academy: "The Unknown Woman", the best picture of 2006, made the january shortlist but wasn't nominated, such as "Nuovomondo" ("The Golden Door"), that was a visual masterpiece, or "Gomorrah", snubbed by the Academy.
But it's the american showbiz, and Ryan Goslin was not nominated last year for "Blue Valentine".

Luca Fontò
ilfilmstraniero.blogspot.com